LITERATURA EN OTROS IDIOMAS

A father takes his two children on a thrilling out-of-this-world adventure into space and invites them to look back at Earth and the conflicts that have taken place since the beginning of time. This becomes a brief history of the world and a guide to the universe, told with Oliver Jeffers's inimitable perspective, wit, and exquisite artwork. Meanwhile Back on Earth gives a unique look at life on Earth with a cosmic perspective—and an enduring message that what binds us together matters more than what sets us apart. A timely story for families everywhere.

The end of the story is only the beginning… Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales.

Seventeen-year-old Anaïs just wants tonight to end. As an outsider at the kingdom’s glittering anniversary ball, she has no desire to rub shoulders with the nation’s most eligible (and pompous) bachelors—especially not the notoriously roguish Prince Leo. But at the stroke of midnight, an explosion rips through the palace, killing everyone in its path. Including her. The last thing Anaïs sees is fire, smoke, chaos . . . and then she wakes up in her bedroom, hours before the ball. No one else remembers the deadly attack or believes her warnings of disaster. Not even when it happens again. And again. And again. If she’s going to escape this nightmarish time loop, Anaïs must take control of her own fate and stop the attack before it happens. But the court's gilded surface belies a rotten core, full of restless nobles grabbing at power, discontented commoners itching for revolution, and even royals who secretly dream of taking the throne. It's up to Anaïs to untangle these knots of deadly deceptions . . . if she can survive past midnight.

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since. After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap?

Joan Sample is not living the life she expected. Now a widow and an empty-nester, she has become by her own admission something of a recluse. But after another birthday spent alone, she is finally inclined to listen to her sister, who has been begging Joan to reengage with the world. With Emmie’s support, Joan gathers the courage to take some long-awaited steps: hiring someone to tame her overgrown garden, joining a grief support group, and even renting out a room to a local college student. Before long Joan is starting to feel a little like herself again. Across town, Maggie Herbert works mornings as a barista, tending to impatient customers before rushing to afternoon nursing classes. She lives with her alcoholic father, ducking his temperamental outbursts and struggling to pay the household bills. But her circumstances brighten when she finds a room for rent in Joan’s home. In the unexpected warmth of her new situation, Maggie finds a glimmer of hope for a better life. But will Maggie’s budding attraction to one of her favorite customers ruin the harmony she’s only recently found with Joan? Meanwhile, what is Joan to make of the mysterious landscaper who’s been revitalizing her garden—a man who seems to harbor a past loss of his own?

The Nightbirds are Simta’s best-kept secret: Girls with a unique and powerful magic they can gift with just a kiss. Some would kill to possess them; the church would kill them outright. But protected by the Great Houses, the Nightbirds are well-guarded treasures. As this Season’s Nightbirds, Matilde, Æsa, and Sayer will spend their nights bestowing their gifts to well-paying clients. Once their season is through, they’re each expected to marry a Great House lord and become mothers to the next generation of Nightbirds before their powers fade away. But as they find themselves at the heart of a political scheme that threatens not only their secrets, but their very lives, their future suddenly becomes uncertain. When they discover that there are other girls like them and that their magic is far more than they were told, they see the Nightbird system for what it is: a gilded cage. Now they must make a choice—to remain kept birds or take control, remaking the city that dared to clip their wings.

It's time for a nap, but Annalise Devin McFleece wants NOTHING to do with bedtime. Dad tries to encourage sleepiness by pushing Analise through the park, and when they pass a dog walker, a skate boarder, a juggler, and more, each of them thinks that taking a nap is a GREAT idea. So if Annalise Devin McFleece doesn't want hers...perhaps they'll take it! One by one, everyone falls asleep EXCEPT Annalise Devin McFleece. But when she's finally ready for her nap, all the naps are taken! Is there anyone who has an extra nap to spare?

A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—a daring, moving tale of memory and fate from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier. When a pair of young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become home to an extraordinary succession of inhabitants . An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to apples. A pair of spinster twins survive war and famine, only to succumb to envy and desire. A crime reporter unearths a mass grave, but finds the ancient trees refuse to give up their secrets. A lovelorn painter, a conman, a stalking panther, a lusty as each one confronts the mysteries of the north woods, they come to realize that the dark, raucous, beautiful past is very much alive.

Account of the crypto delusion, and how Sam Bankman-Fried and a cast of fellow nerds and hustlers turned useless virtual coins into trillions of dollars hailed by Ezra Klein.In 2021 cryptocurrency went mainstream. Giant investment funds were buying it, celebrities like Tom Brady endorsed it, and TV ads hailed it as the future of money. Hardly anyone knew how it worked—but why bother with the particulars when everyone was making a fortune from Dogecoin, Shiba Inu, or some other bizarrely named “digital asset”?

Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naiveté and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up.