ARQUITECTURA Y DISEÑO

Farca looks to the work of the late design icon Luis Barragán for inspiration, blending tradition with modernity. He focuses on the importance of collaborating with indigenous artisans who work in age-old Mexican crafts, to create environmentally sustainable, indoor/outdoor spaces and furniture with a palette of natural materials, translated through a contemporary luxury lens. This lavish volume features sixteen of his newly built private residences in Mexico and California that show off his spectacular designs for seamless indoor and outdoor living.

Designed by Frank Lloyd Wright for Edgar Kaufmann Sr., his wife, Liliane Kaufmann, and their son, Edgar Kaufmann jr., Fallingwater is lauded for its architectural daring and drama. Here the Kaufmanns sought to live in harmony with the natural world. The rooms of the house reflect this ideal and remain suffused with a natural aesthetic that embraces stone and wood, handwork and craftsmanship. In the living room, the great stone floor flows riverlike toward the horizon of Wright–designed built-in sofas and large-paned casement windows, where views open to balconies, to forest, and to cascading falls. From here “the hatch” opens to the flowing stream below. Pools and the waters of Bear Run were beautiful and for swimming. Relaxed elegance was the order of the day. Delicacy, softness, tactility are everywhere in evidence.

A fashion icon in her own right, Keaton amusingly revisits and reflects on some of her favorite and not-so-favorite fashion moments over the decades, from childhood homemade outfits to red carpet ensembles and street style experiments she tried from the 1960s until today. Since she could remember, Keaton has been fascinated by clothing and style. As a little girl, she would pick out patterns and request that her mother make her custom outfits. This was the beginning of a love affair with clothes and looks, and sometimes, fashion. From the outset of her acting career in the 1970s, the legendary star has experimented and thought outside the lines of what a Hollywood icon should wear and still became lauded as a style icon by Vogue, W, The Hollywood Reporter, and countless fashion websites. Keaton’s style is at once timeless, experimental, bold, effortless, androgynous, quirky, and utterly and distinctly her own.

This book will represent one of the most effective and extravagant visions of architecture, one that links the new generations and the old world. In the past few years, Mexico has brought to light a new generation of architects whose extraordinary vision and productivity has positioned the country among the most creative design cultures of the world. Under his own firm FR-EE, since 2000 Fernando Romero has designed and created a number of projects which represent a new vision of Mexican and world architecture. Romero's approach to architecture is innovative and an inspirational tool for empowering future generations. The volume will focus on three themes that intertwine throughout the content of the book. On-site photographs (mainly aerial views) highlight the different places where FR-EE works, from urban centers to the desert. The location is what drives FR-EE's creative work, while the practice strives to investigate the dynamic forces of each site and client. Inspirational photographs give the reader a vision of how Romero's perspective shifts between different focuses of references, and reimagines them in new symbolic visions of the world (from monuments to colors, from natural elements to animals). The images include renderings, photographs, diagrams, plans, and sections. The projects are presented in situ and through architectural drawings, so as to explain the projects' concepts and contents.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Beauty and elegance mingle with extravagance in the Palm Beach style of architect Marion Sims Wyeth, a kind of home design that takes the standard fixtures of paradise palm trees, ebullient fountains, glistening pools and gardens, views of the sea and mixes them with a dash of the exotic a Moorish-style balcony or doorway, Venetian archways, fanciful courtyards in the Spanish style, and spiralling staircases in stone and iron. Featured here are the legendary abodes of Marjorie Merriweather Post and Doris Duke Mar-a-Lago and Shangri La, respectively as well as the less well known but equally spectacular Hogarcito and La Claridad, to name but a few. For those unfamiliar with these dream palaces, intimate homes of repose and reflection, for the enjoyment of life and the living of it, the book serves at once as a revelation and an inspiration.