ARQUITECTURA Y DISEÑO

Adobe residences from the Spanish and Mexican eras were the original California houses. Architects, designers, builders, and homeowners today, as in the past, look to their simple, utilitarian features—such as plain, whitewashed walls, beamed ceilings, and intimate open-air courtyards—and try to emulate their forms to capture the charm of a romanticized past. Leading architects of style movements such as the Spanish Colonial Revival traveled to California and studied its extensive eighteenth and nineteenth century adobes firsthand as the foundation of their education in California architecture. Made of earth and organic matter, such as straw, adobe is among the oldest of building materials and has been used throughout the world. From the 1770s to the present, adobe buildings such as churches, forts (presidios), mills, residences, warehouses, and stores have been a most important and informative part of California’s architectural heritage. Adobe Houses presents twenty-three homes, made from adobe, showing interiors and gardens from these often quiet masterworks, ranging from Casa Boronda of 1817 in Monterey to Casa del Oso, a contemporary manifestation, built in Santa Barbara in 2000 that reveals the intriguing range of possibilities available to us when building in this traditional form today.

Aerin Lauder’s love of flowers is deeply personal, being passed down to her by her celebrated grandmother, Estée Lauder, as well as her mother, Jo Carole Lauder. From fresh bouquets to floral patterns on wallpaper, fabric, and tabletop pieces, in Living with Flowers Lauder shares the many ways she brings flowers into her home. Whether it’s an arrangement of daisies in the kitchen to welcome friends or family for dinner, or a single stem on her desk to brighten the workday, flowers are an essential part of her home and her lifestyle.

While touring readers through four of his own homes, Paredes shares the key elements in his creative process, giving us access to the same tools he uses in every home to decorate rooms that feel modern even as they glamorize the past, to show us how an environment has real power to transform our very state of mind. Paredes is renowned for being a master of extrapolating an entire theme from one unique item, say transforming the stripe of a crisp Oxford shirt into a unique upholstery perfect for the seaside, or finding inspiration for a couch’s decorative fringe in a well-worn piece of leather ranch gear. He is said to have “perfect visual pitch,” creating vignettes and rooms with an energy that feels undeniably masculine and sophisticated thanks to dark wood, iron railings, rustic fabrics, an overall patina, and soft furnishings in soothing earth tones.

Readers will respond to the warm and sophisticated work of Hugh and Simon Jacobsen, whose style of architecture and interiors might best be described as American modern vernacular—the place where traditional comfort and modern design meet. Hugh Newell Jacobsen, the legendary architect and late co-founder with his son, Simon, of Jacobsen Architecture, once said “the best house is polite to her neighbors and never shouts.” This statement is a key to the philosophy of the firm, whose houses are suffused with a kind of quiet sophistication that mingle elegant, subtle modernism, with respect for local vernacular traditions. Low-key on the outside, on the inside these houses offer dancing symphonies in white. Unmarked by moldings, walls and ceilings express simple volumetric forms composed of solid planes and voids, while, upon floors of burnished wood or travertine, furniture, much of it designed by the firm, allows for serene repose and practical, unfussy use. Featured here are exemplars of the firm, from Harbor Hill—a cluster of 12 small structures, appearing at first as a group of smallish shingled Nantucket cottages, that reveals itself as a single serene residence overlooking Nantucket Harbor—to Windsor, a Florida Colonial abstraction in Vero Beach. Featuring inviting interiors, exteriors, and gardens, the book is an expression of eloquent design.

An in-depth look at Charles and Ray Eames's prolific legacy—one that has placed them among the most important American designers of the twentieth century and at the forefront of modernism. Charles and Ray Eames's expansive and monumental career in furniture design ran from 1941 to 1978. This comprehensive and illustrated text serves as a guidebook to their most important pieces and themes. As beloved figures in design, art, and architecture who emerged from the optimism of the 1950s, the couple’s egalitarian and humanistic furniture designs made them household names. Most famous for their chairs, they also created seminal works of architecture and film. Written by their grandson, Eames Demetrios, An Eames Primer is an easy-to-read and informational book to the world's most famous and influential furniture designers.

This is the first of Pentreath’s books to present his own output in its entirety—from his personal residences in Dorset, London, and Scotland that brought him international fame to many old and new houses that he has designed and some of the larger, town-scaled projects that make his practice unique in the world of traditional design. Although the results range from his colorful and romantic versions of the English country cottage to traditional splendor, there are underlying ideas that inform the breadth of his output—a sense of scale, proportion, craft, detail, sustainability, and appropriateness—that have a universal relevance today.