ARQUITECTURA Y DISEÑO

Freud sobre la arquitectura explica qué ofrece Sigmund Freud para comprender la creatividad y la experiencia de la arquitectura, con ejemplos que van desde el Movimiento Moderno hasta la actualidad. Las observaciones de Freud sobre la mente humana y su influencia en la cultura y el comportamiento social han generado numerosos debates desde el siglo XIX. Sin embargo, lo que las ideas fundamentales de Freud ofrecen para comprender la creatividad y la experiencia de la arquitectura ha recibido muy poca atención directa. Esto se debe, en parte, a que Freud abrió la puerta a un lugar en el que la investigación convencional sobre arquitectura tiene poca fuerza: el inconsciente. Para complicar aún más las cosas, la obra de Freud es vasta y abrumadora. Freud sobre la arquitectura examina las ideas clave de Freud y cierra la brecha entre la arquitectura y la teoría psicoanalítica.

A fashion icon in her own right, Keaton amusingly revisits and reflects on some of her favorite and not-so-favorite fashion moments over the decades, from childhood homemade outfits to red carpet ensembles and street style experiments she tried from the 1960s until today. Since she could remember, Keaton has been fascinated by clothing and style. As a little girl, she would pick out patterns and request that her mother make her custom outfits. This was the beginning of a love affair with clothes and looks, and sometimes, fashion. From the outset of her acting career in the 1970s, the legendary star has experimented and thought outside the lines of what a Hollywood icon should wear and still became lauded as a style icon by Vogue, W, The Hollywood Reporter, and countless fashion websites. Keaton’s style is at once timeless, experimental, bold, effortless, androgynous, quirky, and utterly and distinctly her own.

French artist, designer, and talented antique hunter Marin Montagut celebrates the joy of collecting everything from textiles to barware to architectural details, taking readers inside a dozen private homes, flea markets, and unusual ateliers to discover the most whimsical treasure troves in France. From a film prop house’s array of leather sporting goods and playing cards to a travel buff’s vintage maps and globes, and from a sculpture studio’s Grecian plaster casts to an amateur designer’s spiral staircase models, and from Montagut’s own wonder wall assemblages to a cook’s haven filled with porcelain dessert molds and copper pots—objects, when presented together as a series, create unforgettable interiors that radiate charm. Inspiration comes in repetition: wooden zigzag rulers with engraved numbers aligned on a wall in a herringbone pattern create an artful space. The spare wooden forms of capipotes—devotional statues used in religious processions, their eyes turned heavenward in ecstasy—and silver ex-votos can be the point of departure for the theme of an entire room. Montagut’s mood boards for each chapter provide endless ideas for the home.

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city’s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained façades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry. The collection spans buildings from 1920 to 1970 and showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots―such as stones, door handles, and handrails―with larger architectural views. The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction. In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city’s design DNA across high to low architecture.

Longtime creative collaborators Tilda Swinton and Olivier Saillard present an illustrated tribute to the costumes of legendary Italian director Pier Paolo Pasolini’s iconic films. Retracing Pier Paolo Pasolini’s entire cinematography—which continues to fascinate audiences almost half a century after his passing—Embodying Pasolini explores the costumes that brought his films to life. From The Gospel According to St. Matthew (1964), The Canterbury Tales (1972), and Arabian Nights (1974) to Salò, or the 120 Days of Sodom (1975), Pasolini’s movies are known for their provocative flair—making them staples of art cinema’s golden age. Styled by Danilo Donati, the costumes—garments, coats, and hats—enlivened the films with their rich textures, volume, color, and embellishments.

Las frases célebres del legendario diseñador Yves Saint Laurent sobre alta costura, mujer, estilo y elegancia, en un precioso formato. Fundada por Yves Saint Laurent y Pierre Bergé en 1962, poco después de que el joven modista dejara su puesto al frente de Christian Dior, Yves Saint Laurent se convirtió en una de las casas de alta costura más exitosas e influyentes de París. Con Le Smoking, el primer traje de esmoquin para mujer, de 1966, Saint Laurent también presentó creaciones icónicas inspiradas en el arte, desde vestidos de Mondrian hasta preciosos bordados de Van Gogh y la famosa colección Ballets Rusos.