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Imagen de HIROSHIGE (45TH ED.) (INT)
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HIROSHIGE (45TH ED.) (INT)

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world’s visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as “One Hundred Famous Views of Edo” (1856–1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.
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Imagen de HIROSHIGE. ONE HUNDRED FAMOUS VIEWS
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HIROSHIGE. ONE HUNDRED FAMOUS VIEWS

Luces urbanas y cerezos Los grabados en madera de Tokio que cautivaron la imaginación de Europa Utagawa Hiroshige (1797-1858) fue uno de los últimos grandes artistas de la tradición japonesa del ukiyo-e. La palabra significa literalmente «pinturas del mundo flotante» y designa un género artístico que floreció entre los siglos xvii y xix y simbolizó la imagen de Japón en el mundo occidental. Las escenas del ukiyo-e, que en muchos aspectos eran de tipo hedonista, representaban a menudo la brillante luminosidad y las atracciones de Edo: mujeres hermosas, actores y luchadores de sumo, la vida urbana y panorámicas espectaculares.
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Imagen de LEONARDO. OBRA PICTORICA (40TH) (E)
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LEONARDO. OBRA PICTORICA (40TH) (E)

Uno de los seres humanos más brillantes jamás conocidos, Leonardo sigue siendo el genio del Renacimiento por excelencia. Compañero perfecto de la edición Leonardo da Vinci. Obra gráfica, este libro es un catálogo razonado de todas las obras maestras pictóricas del artista, tanto supervivientes como perdidas, desde la Mona Lisa a La última cena.
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Imagen de LEONARDO: THE COMPLETE PAINTINGS 40TH ED
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LEONARDO: THE COMPLETE PAINTINGS 40TH ED

One of the most accomplished human beings who ever lived, Leonardo da Vinci (1452–1519) remains a quintessential Renaissance genius. The perfect companion to the Leonardo Graphic Work edition, this book is a compact catalogue raisonné of all of the artist’s masterful paintings. Drawn from our best-selling XXL edition, the book traces the artist’s life and work across 10 chapters, presenting all known paintings and drawing on his letters, contracts, diary entries, and writings to explore the man behind such groundbreaking artworks. From Virgin of the Rocks to Virgin and Child with St. Anne to the ever-beguiling Mona Lisa, you’ll find some of the finest treasures of the Louvre, Prado, and National Gallery, London here, as well as Leonardo works lost to time, but no less startling in their precision and poise.
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Imagen de KAHLO, PAINTINGS (40TH) (GB)
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KAHLO, PAINTINGS (40TH) (GB)

Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an iconic image of 20th century art.After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp.We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe.This book allows readers to admire Frida Kahlo’s paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years.
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Imagen de RENOIR. (40TH ED.) (E)
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RENOIR. (40TH ED.) (E)

Eternamente cautivadoras, las pinturas de Pierre-Auguste Renoir (1841-1919) son la encarnación de la felicidad, el amor y la belleza. Basada en el libro de gran formato —la retrospectiva más completa de su obra publicada hasta la fecha—, esta edición compacta examina en detalle la historia personal del pintor y las motivaciones detrás de la leyenda. Aunque comenzó su carrera pintando paisajes en estilo impresionista, Renoir encontró su verdadera vocación en los retratos, tras lo cual abandonó por completo el impresionismo. Pese a haber sido malinterpretado con frecuencia, Renoir sigue siendo uno de los pintores más queridos de la historia, sin duda por la calidez, la ternura y la alegría de vivir que emanan sus cuadros. En este texto magistral que detalla toda la trayectoria del artista y traza su evolución estilística, Gilles Néret muestra cómo Renoir reinventó las formas de la mujer en la pintura a través de sus diosas cotidianas de generosas curvas. La última fase en la obra de Renoir, en la que regresó al simple placer de pintar el desnudo femenino a través de su serie de bañistas, fue la más innovadora y de mayor influencia estilística, e inspiraría luego a maestros como Matisse y Picasso.
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