BELLAS ARTES

This is Bunny Williams’ most ambitious book to date. Inviting us into her impressive grounds with charming personal anecdotes, expert advice, and hundreds of stunning photographs–printed on two different speciality stocks–Bunny Williams illustrates every aspect of the gardens surrounding her eighteenth-century manor house in Northwestern Connecticut in different lights and seasons. A popular stop on the Garden Conservancy circuit, Williams’ property boasts a parterre garden,year-round conservatory, extensive vegetable garden, orchard, woodlands, an aviary with exotic fowl, and a rustic poolside Greek Revival–style folly. Each section of the garden is accompanied by adirectory of featured plants—from native ferns and succulents to a wide variety of flowering specimens.

Opening Interior Design Master Class is like sitting down to the best dinner party you ve ever attended. A classic in the making, the book features one hundred essays by America s top designers from established design legends to members of the new guard that explore in detail the process of designing a home, from the fundamentals to the finishing touches. Grouped by theme, the subjects range from practical considerations (Bunny Williams on Comfort, Etienne Coffinier and Ed Ku on Floor Plans) and details (Victoria Hagan on Light, Rose Tarlow on Books) to inspiration (Jeffrey Bilhuber on America and Char- lotte Moss on Couture) and style (Kelly Wearstler on Glamour, Thomas O Brien on Vintage Modern). Each piece is paired with images of the designer s work to illustrate the principles being discussed, annotated with informative captions. Unique in the quality of its contributors, this is a book that readers will refer to again and again for advice and inspiration, an invaluable resource for practical tips and thought-provoking design.

A fresh look at one of America’s best-known and beloved artists at a pivotal but little-known moment in his life that profoundly shaped both his art and career. Edward Hopper & Cape Ann tells the largely ignored but significant origin story of Edward Hopper’s years in and around Gloucester, Massachusetts—a period and place that imbued Hopper’s paintings with a clarity and purpose that had eluded his earlier work. This volume focuses on summers Hopper spent there in the 1920s, starting in 1923, when he first embraced watercolor during outdoor painting excursions on Cape Ann and discovered one of his favorite subjects: houses and vernacular architecture. The success of Hopper’s Gloucester watercolors transformed his work in all media and set the stage for his monumental career. Accompanying a major retrospective at the Cape Ann Museum, including an unprecedented loan of twenty-eight works from the Whitney Museum of American Art, this highly readable and beautifully illustrated volume reveals in great depth the lesser-known story about the influence of a young painter, Josephine Nivison, who became not only Hopper’s wife but also the most trusted force underlying his artistic confidence. Here she is recast as principal producer of Hopper’s distinctive style and his “brand” visionary from the time of their courtship until his death in 1967.