BELLAS ARTES

Founded in 2014 by the design ingenue Harry Nuriev, Crosby Studios is one of the buzziest furniture, interior design, lifestyle, and architecture brands of this day and age. With instantly recognizable viral pieces, Crosby Studios is behind some of today’s most original interiors that exude aspirational fantasy, conceptual artistry, and effortless cool—as well as being at the forefront of the metaverse revolution. Presenting Crosby Studios’ most popular interiors and newest metaverse spaces, this original volume is a must-have reference for the firm’s myriad fans. From private residences and commercial venues to daring creations specifically designed for the metaverse, the featured projects showcase all aspects of Nuriev’s signature style: monochromatic touches of bold colors that enliven interiors along with his original blend of Eastern European–inspired design and contemporary references to the digital world. A vibrant publication that celebrates one of the most enthralling names working in design today, this book is bound to appeal to interiors and digital enthusiasts everywhere.

Based in Mexico City, Jorge Loyzaga’s multidisciplinary practice has focused on the preservation of traditions within architecture, interiors, furniture, and the decorative arts since its founding in 1969. Informed by a passion for classic design, heritage, and timeless craftsmanship, as well as Loyzaga’s training in the restoration of historical monuments, the firm’s sophisticated perspective of architecture and interiors translate time-honored style and local traditions into a contemporary, international visual language.

Lavishly documenting men’s and women’s collections and featuring Owens’s continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion. Picking up where Rizzoli’s previous monograph on Owens’s work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up—right through the pandemic, when Owens memorably staged shows on the Lido di Venezia. Here, the continued evolution of nearly three decades of Owens’s “grunge-meets-glamour” worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.