BELLAS ARTES

At the dawn of the Victorian era in her open-air laboratory in Halstead, Kent, Anna Atkins embarked on a radical experiment to document botanical species using a completely new artistic medium. The inimitable cyanotype photograms of algae and ferns she created were made into the first books to feature photographic images. Striking yet ethereal, these albums are a perfect synthesis of art and science.Although the cyanotype technique was discovered by her friend John Herschel, Atkins was the first to realize both its practical purpose for own her interests in botany and taxonomy, and its intriguing artistic potential.

Celebrating 10 years of publishing the finest interior design and decorative arts, Cabana Anthology: The Anniversary Edition is a stunning showcase of the most impressive and influential styles featured in the cult interiors magazine in its first decade. This sublime book delves into the stories behind a multitude of stunning interiors, offering insights from the designers, collectors, and artists who have contributed to Cabana’s legacy of true artistry and craftsmanship. Founded by editor-in-chief Martina Mondadori along with designer Christoph Radl and publisher Gianluca Reina in 2014, Cabana aims to inspire a new generation of globetrotters, taking them on a journey through sophistication, obsessive collecting, colors, and fabrics. This stunning volume features the very best photography, interviews, profiles, and features from the publication, with contributions from Carlos Mota, Marco Mansi, and Marian McEvoy, and photographers Miguel Flores-Vianna, Guido Taroni, Mark Luscombe Whyte, Tim Walker, and Joanna MacLennan, among many others.

His works have prompted a New York Times bestseller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”. In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural details, and majestic planes of light, spotted a genius, and never looked back.