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Imagen de LIVING IN TUSCANY (40) (INT)
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LIVING IN TUSCANY (40) (INT)

Adéntrese en algunas de las viviendas más bonitas de la Toscana. Grandes casas patricias y ermitas rurales abren sus puertas para revelar la cerámica de los Medici, salones bañados por el sol y coloridos suelos de baldosas. Con detalladas explicaciones y magníficas fotografías, este volumen nos ofrece una hermosa imagen del estilo de vida toscano.
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Imagen de THE COLOURFUL PAST
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THE COLOURFUL PAST

Interior designer Edward Bulmer breathes new life into centuries-old houses with a sympathy that is rooted in a deep understanding of the past, transforming them into comfortable homes designed for modern living.
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Imagen de CHRISTO & JEANNE-CLAUDE (40) (INT)
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CHRISTO & JEANNE-CLAUDE (40) (INT)

The works of Christo and Jeanne-Claude are monuments of transience. Gigantic in scale, they are always temporary, created to exist only for a limited time and to leave unique, unrepeatable impressions. “From the smallest of the Packages made in Paris in the early 1960s, to the delicate pattern of hundreds of branches embraced by a translucent fabric veil... in Christo and Jeanne-Claude’s works there is nothing abstract, nothing imagined; it is all there―corporeal and tangible.” (Lorenza Giovanelli)
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Imagen de ISLAND FOLLIES
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ISLAND FOLLIES

A celebration of Henry Melich’s wonderfully whimsical and romantic island escapes, which continue to inspire the work of designers today.
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Imagen de LIVING IN JAPAN (40) (INT)
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LIVING IN JAPAN (40) (INT)

So rich and unique is traditional Japanese architecture that it’s nearly impossible to improve upon. Yet contemporary Japanese designers and architects keep finding fresh approaches to refurbish and take inspiration from the ways of old. Whether it’s a pristinely preserved traditional house or a sleek modern apartment, the best Japanese homes share a love of cleverly designed spaces and warm materials like wood, brick, and bamboo. From a thatched roof farmhouse occupied by a Zen priest to Tadao Ando’s experimental 4x4 House, from Shigeru Ban’s conceptual Shutter House to a beautiful domestic homage to bamboo, this elegant compendium traverses the multifaceted landscape of Japanese living today. Enriched by 170 brand new, unpublished photographs, this edition takes you on breathtaking journey through the Land of the Rising Sun―complete with a list of addresses, should you wish to undertake this journey to Japan’s most fascinating inns and homes yourself. An insightful glossary of key terms, such as tatami, shoji, and noren, will also help you come to grips with all elements of Japan’s unique aesthetic of Eastern minimalism.
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Imagen de ART RECORD COVERS (40 INT)
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ART RECORD COVERS (40 INT)

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
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