BELLAS ARTES

Peter Lindbergh photographed Dior’s most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the house’s closest collaborators. This final book was an original cocreation that was close to the artist’s heart―and to ours.

Zen, soothing, mystical, meditative—words cannot do justice to Asia’s most beautiful interiors. Whether it’s a gilded Tibetan monastery, a plantation in Sri Lanka, or a private villa in Thailand, each of the havens featured in this book are remarkable not only in aesthetic, but also in spirit. This showcase features about 40 exceptional locations across Tibet, Nepal, India, Sri Lanka, Myanmar, Thailand, Laos, Cambodia, Singapore, and Malaysia. Highlights include traditional Burmese stilt houses; the breathtaking Shiv Niwas Palace in India, visited by James Bond in Octopussy; Cambodian temples; a rice barge-turned houseboat in Thailand; the “Blue Mansion”, an magnificient, indigo-painted courtyard house featured in the film Indochine; a breathtaking garden designed by Sri Lankan architect Geoffrey Bawa; and many, many more.

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.