JUVENILES Y JOVEN ADULTO

Petra Grady has known since adolescence that she has no talent for magic and that’s never going to change. But as a sweeper first-class, she’s parlayed her rare ability to handle dross the damaging, magical waste generated by her more talented kin’s spellwork into a decent life working at the mages’ university. Except Grady’s relatively predictable life is about to be upended. When the oblivious, sexy, and oh-so-out-of-reach Benedict Strom needs someone with her abilities for a research project studying dross and how to render it harmless, she’s stuck working on his team whether she wants to or not.

In the middle of Budapest, there is a river. Csilla knows the river is magic. During WWII, the river kept her family safe when they needed it most―safe from the Holocaust. But that was before the Communists seized power. Before her parents were murdered by the Soviet police. Before Csilla knew things about her father’s legacy that she wishes she could forget. Now Csilla keeps her head down, planning her escape from this country that has never loved her the way she loves it. But her carefully laid plans fall to pieces when her parents are unexpectedly, publicly exonerated. As the protests in other countries spur talk of a larger revolution in Hungary, Csilla must decide if she believes in the promise and magic of her deeply flawed country enough to risk her life to help save it, or if she should let it burn to the ground.

After their high school graduation, former best friends Cass and Syd are gearing up for their futures. Cass has planned to go to college to become an engineer, while Syd—despite the fact that her family thinks she’s messed up her whole life—has lined up a sound internship at a historic music venue.   But Cass is keeping secrets. Though his dad has forbidden it, Cass has been playing music, taking trips to San Francisco BART stations to play and make money. Somehow, it’s become a way for Cass to connect with his mother—who was also a musician—who died in a drunk driving accident on the way back from a gig when he was one.   But after Syd catches Cass playing at the BART station, and Cass finds out his mom’s old band the Darlas is going on a reunion tour, everything changes. On impulse, Cass invites Syd to the first Darlas show, and without telling anyone, they make a break for it. Turning one show into a cross-country journey, the two former friends throw away all their plans for the future and embark on a life-altering road trip following the tour, keeping it a secret from their friends and family.   Along the way, they’ll untangle the messy threads of how they became “ex”-best friends, experience the power of nature and music, and decide what they really want their lives to be. Maybe, through it all, Cass and Syd can find a way back to each other, too.

Wilhelmina Hart is part of the infamous class of 2020. Her high school years began with a shocking presidential election and ended with a pandemic. In the midst of this global turmoil, she also lost one of her beloved aunts, a loss she still feels keenly. Having deferred college, Wilhelmina now lives in a limbo she can see no way out of, like so many of her peers. Wilhelmina’s personal darkness would be unbearable (especially with another monumental election looming) but for the inexplicable and seemingly magical clues that have begun to intrude on her life—flashes of bizarre, ecstatic whimsy that seem to add up to a message she can’t quite grasp. But something tells her she should follow their lead. Maybe a trail of elephants, birds, angels, and stale doughnuts will lead Wilhelmina to a door?

This fully annotated volume collects three of Baum's fourteen Oz novels in which he developed his utopian vision and which garnered an immense and loyal following. The Wizard of Oz (1900) introduces Dorothy, who arrives from Kansas and meets the Scarecrow, the Tin Woodman, the Cowardly Lion, and a host of other characters. The Emerald City of Oz (1910) finds Dorothy, Aunt Em, and Uncle Henry coming to Oz just as the wicked Nome King is plotting to conquer its people. In Baum's final novel, Glinda of Oz (1920), Dorothy and Princess Ozma try to prevent a battle between the Skeezers and the Flatheads. Tapping into a deeply rooted desire in himself and his loyal readers to live in a peaceful country which values the sharing of talents and gifts, Baum's imaginative creation, like all great utopian literature, holds out the possibility for change.