LETRAS

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

Everyone is programmed a little differently, and Bill Gates' unique insight led to business triumphs that are now widely known: the twenty-year-old who dropped out of Harvard to start a software company that became an industry giant and changed the way the world works and lives; the billionaire many times over who turned his attention to philanthropic pursuits to address climate change, global health, and U.S. education. Source Code is not about Microsoft or the Gates Foundation or the future of technology. It’s the human, personal story of how Bill Gates became who he is today: his childhood, his early passions and pursuits. It’s the story of his principled grandmother and ambitious parents, his first deep friendships and the sudden death of his best friend; of his struggles to fit in and his discovery of a world of coding and computers in the dawn of a new era; of embarking in his early teens on a path that took him from midnight escapades at a nearby computer center to his college dorm room, where he sparked a revolution that would change the world. Bill Gates tells this, his own story, for the first time: wise, warm, revealing, it’s a fascinating portrait of an American life.

Gustavo Adolfo Bécquer, hijo de un pintor sevillano de origen flamenco, nació en Sevilla en 1836. Huérfano desde niño, estudió pintura hasta que se trasladó a Madrid a los dieciocho años. Periodista, escritor de relatos y sobre todo poeta romántico, publicó gran parte de su obra en el diario El Contemporáneo. En 1858 conoce a Julia Espín, su gran amor no correspondido, y comienza a publicar «Leyendas», una serie de narraciones de inspiración popular, que le depararían fama universal. La vida de Bécquer se vio acosada siempre por penurias económicas hasta que obtuvo un empleo público como censor de novelas. Enfermo de tuberculosis, murió en Madrid a los treinta y cuatro años. Aunque muchos estudiosos niegan la existencia del género gótico en nuestro país, eclipsado por una omnipresente corriente principal más apegada al realismo y el costumbrismo, otros críticos reivindican una ficción gótica «a la española» que habría influido en autores como Espronceda o Bécquer.