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Imagen de OTRAS CRONICAS MARCIANAS (ILUSTR)
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OTRAS CRONICAS MARCIANAS (ILUSTR)

En estos relatos aparecen las primeras familias que han emigrado a Marte; exploradores solitarios que se rinden a sus visiones; colonizadores que empiezan a sentirse cada vez más peligrosamente extraterrestres; un joven marciano atraído por una muchacha terrestre a la que no comprende; entre otros. Esta edición cuenta con ilustraciones de David de las Heras, cuya capacidad técnica y enfoque surrealista resulta muy afín a los relatos del autor norteamericano.
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Imagen de SONETOS A ORFEO
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SONETOS A ORFEO

¿Qué jardines felices, bien regados sus árboles, qué cálices de flores de tierno deshojarse maduran las extrañas, las exquisitas frutas del consuelo, las pródigas, halladas en el pasto de tu propia indigencia? Año tras año, te admira su sazón, la piel suave, su justa medida, que por ti ha esquivado a las aves volubles o, en el fondo, al celoso gusano. ¿Entonces es que hay árboles rondados por los ángeles, cultivo de morosos y extraños jardineros? ¿Entonces nos dan fruto y no nos pertenecen?
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Imagen de LA ISLA DE CORAL
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LA ISLA DE CORAL

Cuando el Arrow naufraga en los arrecifes de una pequeña isla del océano Pacífico, sólo quedan tres únicos supervivientes: Ralph Rover, Jack Martin y Peterkin Gay. Y lo que parece va a resultar una vida tan curiosa como apacible, entre las dos montañas y los fertilísimos valles llenos de riachuelos que pueblan la isla, se convierte en poco tiempo en una verdadera aventura. Llegará la amistad, el liderazgo, el aprendizaje de la vida; pero también la traición y la muerte.
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Imagen de LA SEDUCCION DEL MIRLO BLANCO
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LA SEDUCCION DEL MIRLO BLANCO

En "La seducción del mirlo blanco", Mohamed Chukri nos describe su pasión por los libros, su experiencia con la lectura y la escritura. Aborda el sufrimiento del escritor a la hora de elegir las fuentes de inspiración que le acompañan en el duro proceso de la creación literaria, y alega que esta no se lleva a buen término sin una rica experiencia vital.
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Imagen de FLEISHMAN IS IN TROUBLE
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FLEISHMAN IS IN TROUBLE

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this. As Toby tries to figure out where Rachel went, all while juggling his patients at the hospital, his never-ending parental duties, and his new app-assisted sexual popularity, his tidy narrative of the spurned husband with the too-ambitious wife is his sole consolation. But if Toby ever wants to truly understand what happened to Rachel and what happened to his marriage, he is going to have to consider that he might not have seen things all that clearly in the first place.
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Imagen de UNNATURAL HISTORY
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UNNATURAL HISTORY

Los Angeles is a city of stark contrast, the palaces of the affluent coexisting uneasily with the hellholes of the mad and the needy. That shadow world and the violence it breeds draw brilliant psychologist Dr. Alex Delaware and Detective Milo Sturgis into an unsettling case of altruism gone wrong. On a superficially lovely morning, a woman shows up for work with her usual enthusiasm. She’s the newly hired personal assistant to a handsome, wealthy photographer and is ready to greet her boss with coffee and good cheer. Instead, she finds him slumped in bed, shot to death. The victim had recently received rave media attention for his latest project: images of homeless people in their personal “dream” situations, elaborately costumed and enacting unfulfilled fantasies. There are some, however, who view the whole thing as nothing more than crass exploitation, citing token payments and the victim’s avoidance of any long-term relationships with his subjects. Has disgruntlement blossomed into homicidal rage? Or do the roots of violence reach down to the victim’s family—a clan, sired by an elusive billionaire, that is bizarre in its own right? Then new murders arise, and Alex and Milo begin peeling back layer after layer of intrigue and complexity, culminating in one of the deadliest threats they’ve ever faced.
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