Conmemoramos el bicentenario del nacimiento de Melville con la edición de una de sus obras más célebres que incluye, además, una introducción de Enrique Vila-Matas.
«Preferiría no hacerlo -repetí yo como si fuera su eco, levantándome muy alterado y cruzando la habitación de una zancada-. ¿Qué quiere decir?»
Considerada una obra maestra de la narración corta, Bartleby, el escribiente constituye una pieza anticipatoria de la literatura existencialista y del absurdo. A través del protagonista, un escribiente que se enfrenta a las demandas de la realidad con una inquietante respuesta, «preferiría no hacerlo», el estoicismo, la ironía, el humor y el sordo desasosiego alegórico presente en la obra del Melville se aúnan para expresar la obstinación del ser humano en su afán de obtener respuesta a las grandes preguntas o, al menos, seguir buscándolas.
Esta edición presenta una traducción de María José Chulia y una brillante introducción de Enrique Vila-Matas, que reflexiona sobre esta historia que tiene un claro paralelismo con Kafka y ha influenciado a autores como Beckett, Camus, Gombrowicz o el mismo Vila-Matas.
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a Happily Ever After, he kills off his entire cast.
They’re polar opposites.
In fact, the only thing they have in common is that for the next three months they’re living in neighboring beach houses, broke and bogged down with writer’s block.
Then one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.
They were sisters and they would last past the end of time.
Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.
Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want? When the bear turns up by their home, Sam, terrified, is more convinced than ever that it’s time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the desire to escape and puts their long-held dream in danger.
A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us—Bear is a propulsive, mythical, richly imagined novel from one of the most acclaimed young writers in America.