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Imagen de MANSFIELD PARK
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MANSFIELD PARK

Mansfield Park encompasses not only Jane Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. At the novel’s center is Fanny Price, the classic “poor cousin,” brought as a child to Mansfield Park by the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear to us why she was Austen’s own favorite among her heroines.
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Imagen de THE GODFATHER (50TH AN.)
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THE GODFATHER (50TH AN.)

With its brilliant and brutal portrayal of the Corleone family, The Godfather burned its way into our national consciousness. This unforgettable saga of crime and corruption, passion and loyalty continues to stand the test of time, as the definitive novel of the Mafia underworld.
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Imagen de HIDEAWAY.  DEVIL'S NIGHT 2
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HIDEAWAY. DEVIL'S NIGHT 2

Buried in the shadows of the city, there’s an abandoned hotel called The Pope, surrounded by a mystery about the hidden twelfth floor and the guest who never checked out. Banks knows the local legend, but Kai Mori believes the myth around the hotel. He and his friends think they know her, think they can scare her, but Banks knows something they don’t. Even though she struggles to hide everything she feels when Kai looks at her, the person he seeks is much closer than he’ll ever realize.
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Imagen de BOOK BOYFRIEND
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BOOK BOYFRIEND

Jennifer Worth lives to escape into the world of her favorite romantasy series Elytheum Courts, where the romance is sweeping and the men are brave, chivalrous . . . and winged. Newly single and craving connection, she travels to an immersive fan experience celebrating all things Elytheum, only to see the last face she expected—Scott Daniels, her work nemesis, whose disinterest in Jennifer’s favorite series and standoffishness have made their publishing jobs feel like a feuding fae court. Except the Scott she encounters at the Elytheum Experience, in his secondhand cosplay outfit, is . . . different. Swaggering, flirtatious, confident. Unlucky in romance himself and inspired by Jennifer’s love for the swoonworthy men of Elytheum, Scott is determined to remake himself into the perfect book boyfriend. Jennifer has no interest in helping the man who vexes her every workday and dismisses her fictional fantasies, but as the immersive convention activities force them together, they’re surprised to discover magic like none Jennifer has ever read about. But is enemies-to-lovers romance only for books, or can Jennifer and Scott bring the trope to life?
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Imagen de GO TELL THE BEES THAT I AM GONE
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GO TELL THE BEES THAT I AM GONE

War leaves nobody alone. Neither the past, the present, nor the future offers true safety, and the only refuge is what you can protect: your family, your friends, your home. Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years of loss and heartbreak to find each other again. Now it’s 1779, and Claire and Jamie are finally reunited with their daughter, Brianna, her husband, Roger, and their children, and are rebuilding their home on Fraser’s Ridge—a fortress that may shelter them against the winds of war as well as weather. But tensions in the Colonies are great: Battles rage from New York to Georgia and, even in the mountains of the backcountry, feelings run hot enough to boil Hell’s teakettle. Jamie knows that loyalties among his tenants are split and it won’t be long before the war is on his doorstep. Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family.
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Imagen de BEG, BORROW, OR STEAL
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BEG, BORROW, OR STEAL

Emily Walker hates having her carefully crafted world disrupted by anyone, most of all her legendary nemesis, Jack Bennett. He’s the opposite of the wonderful heroes she dreams up in her double life as a romance writer, which is why Emily was perfectly happy when Jack left Rome, Kentucky, mid-school year with his fiancée. The last thing Emily saw coming was Jack’s return at the start of the summer after calling off the wedding and ending his relationship, but he’s here to stay—as her colleague and her neighbor. Jack is glad to be back, eager to renovate his house and work on the next mystery novel under his bestselling pen name. But when he realizes he’s now neighbors with the one woman who has always pushed his buttons, he discovers something he’s even more excited about—thwarting Emily and her petty plans to sabotage his return. With their chemistry-fueled animosity at an all-time high, Emily accidentally sends an email to their school’s principal that could reveal her secret literary side hustle. She needs to steal back her manuscript, and Jack—she hates to admit—is just the man to help her. Surprisingly, he agrees. Will their unlikely alliance put an end to their rivalry? Or could it lead to a steamy plot twist they never saw coming?
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