LITERATURA EN OTROS IDIOMAS

The capstone volume of the Library of America edition of John Updike’s novels contains some of the master stylist and social observer’s most ambitious works.   In the Beauty of the Lilies (1996) opens in 1910, when Clarence Wilmot, a Presbyterian minister in Paterson, NJ, experiences a devastating loss of faith. This moment of crisis sets in motion an eighty-year, multigenerational saga whose subject is nothing less than the American Century and modernity itself, seen through the fluctuating fortunes of a single representative family.    In Gertrude and Claudius, Updike boldly imagines the long backstory to the world’s most famous play, prompting readers to revisit and perhaps revise their judgments about Hamlet’s notorious uncle and mother. Drawing on the twelfth- and fifteenth century sources for Hamlet, but also inventing a new history for Claudius in his far-flung travels across medieval Europe, Updike creates a vivid and surprising origin story for the fabled rottenness in Shakespeare’s Denmark.

We all feel it—the distraction, the loss of focus, the addictive focus on the wrong things for too long. We bump into the zombies on their phones in the street, and sometimes they’re us. We stare in pity at the four people at the table in the restaurant, all on their phones, and then we feel the buzz in our pocket. Something has changed utterly: for most of human history, the boundary between public and private has been clear, at least in theory. Now, as Chris Hayes writes, “With the help of a few tech firms, we basically tore it down in about a decade.” Hayes argues that we are in the midst of an epoch-defining transition whose only parallel is what happened to labor in the nineteenth century: attention has become a commodified resource extracted from us, and from which we are increasingly alienated. The Sirens’ Call is the big-picture vision we urgently need to offer clarity and guidance.

A murder victim dumped at the dead end of a lonely country road, face and hands obliterated by a shotgun blast, is not the way sheriff’s detective Nick Fourcade wants to start his week. His only lead takes him to the family of a hometown hero suddenly gone missing. Marc Mercier left his home for a weekend hunting trip and hasn’t been seen since. Meanwhile, sheriff’s detective Annie Broussard begins her first day back on the job after suffering a brutal attack by taking on the case of B’Lynn Fontenot, a mother desperate to find her grown son, a recovering drug addict. Robbie Fontenot has been missing for eight days, but the local police have no interest in the case, telling B’Lynn that an adult has the right to disappear, and a missing addict is no big surprise. But B’Lynn swears her son was turning his life around. Sympathetic to a mother’s anguish, Annie agrees to help B’Lynn, knowing she’s about to start a turf war with the city police.

America, América traverses half a millennium, from the Spanish Conquest—the greatest mortality event in human history—through the eighteenth-century wars for independence, the Monroe Doctrine, the coups and revolutions of the twentieth century, and beyond. Grandin shows, among other things, how in response to U.S. interventions, Latin Americans remade the rules, leading directly to the founding of the United Nations; and how the Good Neighbor Policy allowed FDR to assume the moral authority to lead the fight against world fascism.

When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. Immerse yourself in the twenty-four maneuvers and strategies of the seductive process, the ritual by which a seducer gains mastery over his target. Understand how to “Poeticize Your Presence,” “Keep them in Suspense – What Comes Next” and “Master the Art of the Bold Move”. Every bit as essential as The 48 Laws of Power, The Art of Seduction is an indispensable primer of persuasion that reveals one of history’s greatest weapons and the ultimate form of power.