A young woman claims the throne of a realm inspired by Filipino mythology in this YA romantic fantasy, the first in an enchanting new duet by #1 New York Times bestselling author Melissa de la Cruz.
MJ Rodriguez has spent her life hiding in the human world and guarding a heavy secret: She is half-encanto, a fairy from a hidden realm, and as the only child of King Vivencio, she’s also next in line for the throne. Now, upon her father’s sudden death, MJ must take her place as the king’s rightful heir.
In wondrous Biringan, the road to the throne is paved with thorns. MJ has to navigate a backstabbing council that objects to a half-human ruler. And when an ancient curse starts wiping out creatures across the land, she must find and stop the sorceress behind this merciless magic.
To succeed, MJ forges an unlikely alliance with the dashing Sir Lucas of the feared Sigbin Court, and soon, she starts falling deeply for the mysterious knight. But with peril looming over the kingdom, the princess must decide if she can open her heart to love—and prove she can carry the weight of the crown.
NFTs aren’t just pictures on the internet, or a fad that has come and gone. Rather, they’re a new technology for creating digital assets and providing irrefutable proof of ownership. NFTs open up markets that have never before existed, and are already revolutionizing commerce and brand-building at everything from hot startups to Fortune 500 companies.
Kominers and Kaczynski have created a framework that explains what NFTs are, why they’re valuable, and how businesses can leverage them to build highly engaged and intensely loyal communities around their products and brands.
Through original research and industry experience, Kominers and Kaczynski describe the possibilities of this new digital frontier with clarity and rigor. The Everything Token is the essential primer on this innovation that has the potential to transform all aspects of business.
What became of Mitch and Abby McDeere after they exposed the crimes of Memphis law firm Bendini, Lambert & Locke and fled the country? The answer is in The Exchange, the riveting sequel to The Firm, the blockbuster thriller that launched the career of America’s favorite storyteller. It is now fifteen years later, and Mitch and Abby are living in Manhattan, where Mitch is a partner at the largest law firm in the world. When a mentor in Rome asks him for a favor that will take him far from home, Mitch finds himself at the center of a sinister plot that has worldwide implications—and once again endangers his colleagues, friends, and family. Mitch has become a master at staying one step ahead of his adversaries, but this time there’s nowhere to hide.
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.
When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn’t just any camper; she’s the daughter of the wealthy family that owns the camp—as well as the opulent nearby estate and most of the land in sight. And this isn’t the first time a Van Laar child has disappeared in this region: Barbara’s older brother also went missing sixteen years ago, never to be found. How could this have happened yet again?
Out of this gripping beginning, Liz Moore weaves a richly textured drama, both emotionally nuanced and propelled by a double-barreled mystery. Chasing down the layered secrets of the Van Laar family and the community working in its shadow, Moore’s multi-threaded drama brings readers into the hearts of characters whose lives are forever changed by this eventful summer.
Liz Moore’s most ambitious and wide-reaching novel yet, The God of the Woods is a story of love, inheritance, identity, and second chances, a thrillingly layered drama about the tensions between a family and a community, and a history of secrets that will not let any of them go.
First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.