NOVEDADES

Celaena Sardothien ha sobrevivido a mortíferos combates y a la demoledora experiencia del desamor, pero a un costo indescriptible. Ahora debe viajar a una nueva tierra para enfrentar su más oscuro pasado, una verdad sobre su historia que podría darle un vuelco a su vida, y a su futuro, para siempre. Mientras tanto, brutales y monstruosas fuerzas se van reuniendo en el horizonte e intentan esclavizar su mundo. Para derrotarlos, Celaena debe hallar la fortaleza no solo para combatir a sus propios demonios internos, sino para vencer al mal que está a punto de desencadenarse.

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier. As a performance artist, Giselle must navigate an elite social world she never conceived of. As a coder thrilled by the internet’s early egalitarian promise, Jackie must contend with its more sinister shift toward monetization and surveillance. And as a community activist, Ellen confronts the increasing gentrification and policing overwhelming her New York City neighborhood. Over time their friendship matures and changes, their definitions of success become complicated, and their sense of what matters evolves. Moving from the predigital 1980s to the art and tech subcultures of the 1990s to a strikingly imagined portrait of the 2040s, Memory Piece is an innovative and audacious story of three lifelong friends as they strive to build satisfying lives in a world that turns out to be radically different from the one they were promised.

It is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, one that’s held power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media, but he is beginning to lose control of the streets. Many fear he’ll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war.

Deborah Harkness first introduced the world to Diana Bishop, an Oxford scholar and witch, and vampire geneticist Matthew de Clermont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line. Now, Diana and Matthew receive a formal demand from the Congregation: They must test the magic of their seven-year-old twins, Pip and Rebecca. Concerned with their safety and desperate to avoid the same fate that led her parents to spellbind her, Diana decides to forge a different path for her family’s future and answers a message from a great-aunt she never knew existed, Gwyneth Proctor, whose invitation simply reads: It’s time you came home, Diana.

She found the right guy at the dead wrong time . . . When thirty-year-old post-double-mastectomy BRCA1 carrier and reluctant thrill-seeker Alison Mullally arrives at her ex-boyfriend Sam’s funeral to discover that no one knows he dumped her, she agrees to play the grieving girlfriend over the holidays for the sake of the family. Little did she know this would mean packing up Sam’s apartment with his prickly best friend, Adam Berg. After all, it’ll only take four weekends . . . But Adam doesn’t want Alison anywhere near him. Forced to spend long hours with the grump and his monosyllabic demeanor, Alison decides to put her people-pleasing abilities to the test. She will make him like her. And after awkward family affairs, snowy mishaps, and packing up dilemmas, the two form a tenuous friendship . . . if “friendship” means incredible chemistry and sexual tension. Can Alison come clean and finally embrace the life and love she’s always wanted? Or will her little white lie get in the way of her new, unexpected romance?

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It’s an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated—and certainly more compelling—than the stories immortalized by Hollywood.