Todos actores y personajes así como las personas en general tenemos una persona pública con la que nos presentamos ante los demás, una necesidad insatisfecha encubierta bajo esa máscara y cometemos un error trágico cuando reaccionamos ante un choque entre lo queremos que se piense de nosotros y lo que realmente somos. Sobre estos tres elementos clave Susan Batson ha desarrollado un proceso de técnica actoral que han seguido estrellas de la talla de Nicole Kidman, Tom Cruise, Bradley Cooper o Juliette Binoche. En Verdad, un clásico desde su publicación en 2007, expone didácticamente ante un círculo de alumnos imaginarios (pero en los que no cuesta reconocer actitudes y personalidades frecuentes en el mundo de la interpretación), los múltiples recursos que un actor o actriz debe explorar y aprovechar «para que un personaje esté vivo».
She might not have a famous name, funding, or her family’s support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating—and each other—to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and roller-coaster relationship.
Until a shocking incident at the Olympic Games brings their partnership to a sudden end.
As the ten-year anniversary of their final skate approaches, an unauthorized documentary reignites the public obsession with Shaw and Rocha, claiming to uncover the “real story” through interviews with their closest friends and fiercest rivals. Kat wants nothing to do with the documentary, but she can’t stand the thought of someone else defining her legacy. So, after a decade of silence, she’s telling her story: from the childhood tragedies that created her all-consuming bond with Heath to the clash of desires that tore them apart. Sensational rumors have haunted their every step for years, but the truth may be even more shocking than the headlines.
Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter Debbie is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband Max arrives unannounced on her doorstep, carrying a cat, without a place to stay and without even a suit.
But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband-to-be. It will not only throw the wedding into question but also stir up Gail and Max’s past.
Told with deep sensitivity and a tart sense of humor, full of the joys and heartbreaks of love and marriage and family life, Three Days in June is a triumph, and gives us the perennially bestselling, Pulitzer Prize-winning writer at the height of her powers.