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Imagen de MICHELANGELO (BA) (GB)
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MICHELANGELO (BA) (GB)

Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”).This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor.
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Imagen de LIVING IN MOROCCO. 45TH ED.
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LIVING IN MOROCCO. 45TH ED.

Though it lies just across the Mediterranean from Europe, barely a stone’s throw from Spain’s southernmost tip, Morocco couldn’t possibly be farther away.With its mountainous and desert landscapes, labyrinthine souks, delectable cuisine, exquisite rugs and textiles, vibrant mosaics, fragrant odors, mesmerizing music, and welcoming people, Morocco is a most alluring and tantalizingly exotic destination. Digging a little deeper into the myth of Morocco, Barbara and René Stoeltie bring us this eclectic selection of homes to demonstrate all that is most wonderful about the Moroccan style: from tiled, turquoise swimming pools and lavish gardens to carved wooden furniture and jade-colored marble fountains.With more than 500 pages featuring stunning, inspiring photographs, flipping through these fairy tale-like visions of exotic havens (ideally while sipping a steaming cup of sweet, fragrant mint tea) will instantly whisk you away.
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Imagen de WALTON FORD. 45TH ED. (INT)
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WALTON FORD. 45TH ED. (INT)

In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
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