NOVEDADES

No one said fair trade needed to be “fair.” As the owner of Honeysuckle Salon, Jessie Barnes usually has everything managed and on track, but now in her third trimester of an unexpected pregnancy, she feels a bit lost and increasingly desperate after faulty plumbing floods her apartment. Unfortunately, her knight in shining armor is actually Dr. Drew Marshall, her best friend’s brother, and he’s also the man she chewed out not too long ago for being a chauvinistic dirtbag. Every moment Drew’s had to prove her wrong since then has failed, so Jessie’s opinion of him hasn’t improved. That remains the case when he agrees to let her stay with him during renovations, under one condition: She pretends to be his girlfriend for upcoming work festivities. For the sake of her brother, Jessie is willing to make the tough situation work, and giving Drew a taste of his own medicine sounds . . . intriguing. But when their rivalry sparks a deeper connection, Jessie’s future becomes even more unclear—and with a baby on the way, she’ll have to make a decision soon.

Pssst! Hey. I’m here to tell ya what the furniture police don’t want you to know… Listen close. I’ll explain everything. Most people think couches are just for sitting, or maybe napping, and don’t give it a second thought. But did you know couches can go berserk if you don’t feed them a steady diet of coins, cell phones, and remote controls? And did you know some couches are grown on a farm? (Where do you think the term couch potato comes from?) Some come from two chairs who love each other very much, and some are actually aliens in disguise. And that’s just the tip of the iceberg… This laugh-out-loud send-up of conspiracy theories brings Adam Rubin’s trademark zany humor together with the richly expressive artwork of Macanudo creator Liniers to explore the totally, completely true (really! maybe?) history of the world’s most beloved—and misunderstood—item of furniture.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail. Each believing the other to be dead, they escape, fleeing across the globe, reinventing themselves until fate ultimately brings them back together in the most unlikely of ways… Endlessly surprising, vividly imaginative, bursting with lush life, The Volcano Daughters charts a new history and mythology of El Salvador, fiercely bringing forth voices that have been calling out for generations.

On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s ship The Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While chasing a Spanish treasure-filled galleon, The Wager was wrecked on a desolate island off the coast of Patagonia. The crew, marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2,500 miles of storm-wracked seas. They were greeted as heroes. Then, six months later, another, even more decrepit, craft landed on the coast of Chile. This boat contained just three castaways and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with counter-charges of their own, of a tyrannical and murderous captain and his henchmen. While stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.

Hace un año, Amelie lo tenía todo: un novio de toda la vida, su mejor amiga de la infancia y un trabajo en el restaurante de su padre. Su vida era perfecta. Hasta que Ian se sentó junto a ella en una boda y le demostró que quizá podría apetecerle algo fuera de la carta. Hoy, Amelie está soltera y sin trabajo, y se ha tomado un respiro de su mejor amiga. Por si fuera poco, ha perdido todo contacto con Ian. Cuando visita la ciudad de este para dar una conferencia sobre cocina, espera un gran encuentro romántico y trascendental. Sin embargo, todo vuela por los aires al descubrir que Ian es hijo del rival de su padre. ¿Puede haber un fiasco aún mayor? Él solo quiere que sean amigos. Amelie tiene una semana para hacerle cambiar de opinión y demostrarle que, pese a todo, ella es la persona indicada con la que compartir su menú de boda.