NOVEDADES

It's been a couple of weeks since Katie turned into the class hamster, and she's beginning to hope that maybe her transforming days are through. But more excitement lies ahead for Katie as she becomes Lucille, the cafeteria lunch lady! Unfortunately, the principal isn't too happy with a lunch lady who throws egg salad and starts food fights. . . so it's up to Katie (back in her own body) and her classmates to save the day.

Bold combinations of primary and secondary colors; exquisitely crafted trims, embroidery, lampshades, and countless accessories (all designed by Ridder); imaginative room surfaces from silver leaf to custom stenciling. These are but a few of the signature elements of a Katie Ridder interior. Katie Ridder: More Rooms explores Ridder’s unique aesthetic room by room to underscore the astounding breadth and depth of her decorating ingenuity. The illuminating text details Ridder’s singularly creative approach to the essential elements of each room, including furniture plan, color, lighting, finishes, pattern, layering, and scale. Illustrated with specially commissioned photographs by Eric Piasecki and featuring an introduction by longtime editor in chief of House & Garden Dominique Browning, Katie Ridder: More Rooms provides endless inspiration for design aficionados.

Este libro ofrece al lector en lengua española el primer comentario integral a los célebres Tres discursos para ocasiones supuestas de Søren Kierkegaard. Ángel Enrique Garrido Maturano no articula esta tarea por los senderos previsibles: no elabora un estudio filológico, asentado sobre las bases de la vieja crítica textual, que sea rico en detalle positivos sobre fuentes, influencias, varian- tes, etc.; pero tampoco nos ofrece –a contracorriente de ciertas lecturas de los textos del filósofo danés– un relato edificante, confesionalmente concernido, sobre una cierta modulación del cristianismo por la que se abogaría. La intención del autor es, por el contrario, ente- ramente filosófica: su lectura indaga, de modo fenomenológico y no confesional, en las tres situaciones decisivas de la existencia con las que se confronta –y nos confronta– el pensamiento de Kierkegaard: el tener que reconocerse a sí mismo tal cual uno es, expresado en la confesión, el amor al otro tal cual ese otro es, expresado en el matrimonio, y la muerte inexorable.