A young woman claims the throne of a realm inspired by Filipino mythology in this YA romantic fantasy, the first in an enchanting new duet by #1 New York Times bestselling author Melissa de la Cruz.
MJ Rodriguez has spent her life hiding in the human world and guarding a heavy secret: She is half-encanto, a fairy from a hidden realm, and as the only child of King Vivencio, she’s also next in line for the throne. Now, upon her father’s sudden death, MJ must take her place as the king’s rightful heir.
In wondrous Biringan, the road to the throne is paved with thorns. MJ has to navigate a backstabbing council that objects to a half-human ruler. And when an ancient curse starts wiping out creatures across the land, she must find and stop the sorceress behind this merciless magic.
To succeed, MJ forges an unlikely alliance with the dashing Sir Lucas of the feared Sigbin Court, and soon, she starts falling deeply for the mysterious knight. But with peril looming over the kingdom, the princess must decide if she can open her heart to love—and prove she can carry the weight of the crown.
NFTs aren’t just pictures on the internet, or a fad that has come and gone. Rather, they’re a new technology for creating digital assets and providing irrefutable proof of ownership. NFTs open up markets that have never before existed, and are already revolutionizing commerce and brand-building at everything from hot startups to Fortune 500 companies.
Kominers and Kaczynski have created a framework that explains what NFTs are, why they’re valuable, and how businesses can leverage them to build highly engaged and intensely loyal communities around their products and brands.
Through original research and industry experience, Kominers and Kaczynski describe the possibilities of this new digital frontier with clarity and rigor. The Everything Token is the essential primer on this innovation that has the potential to transform all aspects of business.
What became of Mitch and Abby McDeere after they exposed the crimes of Memphis law firm Bendini, Lambert & Locke and fled the country? The answer is in The Exchange, the riveting sequel to The Firm, the blockbuster thriller that launched the career of America’s favorite storyteller. It is now fifteen years later, and Mitch and Abby are living in Manhattan, where Mitch is a partner at the largest law firm in the world. When a mentor in Rome asks him for a favor that will take him far from home, Mitch finds himself at the center of a sinister plot that has worldwide implications—and once again endangers his colleagues, friends, and family. Mitch has become a master at staying one step ahead of his adversaries, but this time there’s nowhere to hide.
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.
Produced with the Yves Saint Laurent museums in Paris and Marrakech, this book examines how flowers served as the designer’s muse throughout his life and work.
Yves Saint Laurent’s passion for flowers and gardens was the source of endless inspiration. From a thousand and one rose buds to sprigs of lily of the valley, from an avalanche of bougainvillea to delicate poppy blooms, and from sheaves of wheat to majestic lilies, he metamorphosed nature in his creations. Employing flowers as a palette of patterns and techniques, he adorned women in floral appliqués, prints, and embroideries.
Everyone in fifteen-year-old Bella’s life needs something from her. Her mom needs her to help around the house, her dad needs her to not make waves, her ex needs her to not be so much. The only person who never needed anything from her was her grandmother—and now she’s dead.
There’s only one thing that dulls the pressure: alcohol. Vodka, beer, peppermint schnapps—alcohol smooths the sharp edges of Bella’s life. And what’s the big deal? Everyone drinks. Besides, Bella can stop whenever she wants. But after she gets blackout drunk at a Thanksgiving party and wakes up in the hospital, it’s time to face reality. And for Bella, reality means rehab.
Gorgeously written and deeply compassionate, Kathleen Glasgow’s The Glass Girl is a candid exploration of the forces pushing young women toward addiction—and what it really takes to help them get better.