ARQUITECTURA Y DISEÑO

Following her success with Nora Murphy’s Country House Style, Murphy celebrates a selection of homes and their homeowners, each exemplifying a different style. For Nora Murphy, a country house isn’t so much a place as it is a state of mind. A country house is warm, welcoming—at once down to earth, yet elegant. A country house has genuine character, tells a story, and is truly, wonderfully lived in. Here Murphy explores the tenets of country house style, as illustrated by her own “new” country house, and the many other striking homes she has curated for the book. Each one of these homeowners has embraced country house style—but each implements it in their own unique way. There is a pastoral 1732 center-chimney colonial in Connecticut nestled in spectacular gardens, a cozy cottage on the coast of Maine rich with local details, and an 1840s Greek Revival in the Hudson Valley filled with romantic Victorian ephemera. Common threads weave through the stories: the thrill of the antiques hunt, the role of history, and the priority of comfort.

Cuaik’s interior designs are characterized by clean lines, neutral palettes, and abundant natural light. Their spaces often incorporate custom-made furniture and artworks, textured materials, and vibrant, strategically placed accents. Emphasizing functionality and aesthetic harmony, Cuaik blends contemporary design with local cultural elements, creating environments that are both elegant and inviting. Superbly photographed for the first time, this volume features a fine combination of residential and commercial spaces located across Mexico, Spain, and the US. Each project encompasses the architectural design of the space and the production of customized in-house furniture and art.

Ceaseless in its pursuit to create “an alchemy of old and new,” the highly esteemed firm of Cullman & Kravis is renowned for its ability to fashion modern, cohesive, richly layered homes rooted in tradition and the respect for function and decoration. Utilizing their decades of experience, they build out rooms from the finest classical foundations, then infuse bold, stylish, and modish elements, mixing exquisite antiques with contemporary art to create truly dynamic spaces conceived to stand the test of time.

“Las cuestiones de la conciencia de la forma, la belleza y la armonía no me interesan tanto a nivel abstracto como en la medida que afectan a la vida cotidiana y en relación con el arte de vivir. La vida cotidiana, si nos fijamos en las teorías orientales del arte, es un aspecto central del camino del artista.” Como en el arte o en el diseño, carecer de forma implica dispersión y pérdida de referencias, quedar expuesto a los fenómenos externos sin ritmo ni control. Dar forma a lo cotidiano es una invitación a poner en valor nuestra realidad tangible y manejable, a trabajar la atención plena sobre las cuestiones básicas que rigen nuestra cotidianidad ―la alimentación, el amor, los medios de comunicación, la vestimenta y nuestras posesiones― y conectar con ellas de forma consciente, limitando sus contornos y encontrando su lugar en la red que conforma nuestro fundamento vital.

Designer extraordinaire Stephen Shadley began his working life as a scenic artist at 20th Century Fox. Throughout a celebrated career (landing a coveted spot on the AD100), his work has been marked continually by the glamour of Hollywood as well as by a kind of visual storytelling that is richly informed by the world of the movie screen and by the artifice and allure of film s great cinematographers. Notable for their expression of an exquisite sense of style, his designed homes including the interiors for a classic Beverly Hills abode for Diane Keaton, an apartment for Robert Altman in the legendary Pythian building on New York s Upper West Side, as well as a luxurious contemporary home for Jennifer Aniston are all expressions of a masterful sense of scale and an appreciation for understated beauty and refined materials that are ultimately warm, inviting, and serene. The book features numerous beautifully designed homes of Hollywood royalty, primarily in Southern California, though with notable projects in New York and beyond, as well as three greenrooms, which Shadley designed for the Oscars and the Emmy Awards.

In 1972, Diane von Furstenberg created a chic and universally flattering ready-to-wear jersey wrap dress that launched her career and would forever change the landscape of women’s fashion. Since then DVF, the woman and the brand, have created designs that empower and promote a woman’s sense of self, weaving feminism and activism into the brand’s DNA. This visually vibrant tome, which accompanies an exhibition held in von Furstenberg’s hometown of Brussels, features nostalgic and contemporary photographs of her journey as a designer. Printed with three different luxe paper stocks withvarying inserts in each chapter, this book features beautiful graphicfabrics flooding each page, alongside numerous images of the wrap dressworn by von Furstenberg and models Jerry Hall, NaomiCampbell, and Cindy Crawford. Original essays discuss the intersection of Von Furstenberg and her designs with feminism, gender politics, and entrepreneurship, with personal anecdotes from collaborators like model Cindy Crawford and entrepreneur Stefani Greenfield. Unique and contemporary, this is a story of the inimitable designer, her brand, and the significant role of a single dress that continues to inspire generations of women.