ARTES

In the early 1960s a reawakening was happening on Nantucket. Into this world stepped Andy Oates and Bill Euler, one skilled in fine arts and the other in the art of hospitality. In 1968 they opened Nantucket Looms, which specialized in needlepoint, crewelwork, handwoven fabrics, and local artwork, forging their Nantucket style aesthetic. This modest homespun charm held great appeal to such style makers as Jackie Kennedy Onassis, Bunny Mellon, and interior designer Billy Baldwin.

Schestowitz is a strong believer that a home should create a sense of belonging and togetherness. Growing up, she developed an appreciation for harmonizing diverse styles, placing a modern stainless steel island by an old dining area, an African dresser next to an Eames chair. Schestowitz is not a follower of design guidelines; she believes in an intuitive harmony of space, color, and light. The spaces she creates are infused with travel collectibles, art acquisitions, family pieces, and historical patterns. The rich palettes and bold patterns create spaces that feel naturally inviting and intimate, a result of her long-standing exploration of Mediterranean style.

With an in-depth knowledge of periods and styles, Watson is known for his meticulously researched designs. His rooms always make architectural sense and his work is often inspired by collaborations with architects. Watson strives to uncover and recognize the special qualities found in historic structures and furnishings, and to preserve them while moving them forward into the present. Watson’s interiors are noted for their calm and lightness of being, which he achieves through a gracious sense of proportion and a harmonious continuity via subtle repetitions in color, pattern, material, and silhouette.

Ottavi enjoyed a rare degree of open and candid access to Lagerfeld in his later years, and this biography offers an unparalleled look into the iconic designer’s complex personality and wide-ranging creativity. Lagerfeld himself wanted this to be a frank, honest, serious account that would be an invaluable resource for fashion lovers and admirers of his incomparable legacy. Unlike other recent books, this intimate portrait deftly reveals his true inner nature in his own words.

Over her thirty-year career, celebrated designer Jo Thompson has become recognised for her timeless planting, well-proportioned, English-style gardens rendered modern by a staunch commitment to biodiversity to the eye this translates as a looser formality than English gardens of the past, though every bit as romantic.

Berggruen’s collection with more than one hundred masterpieces is a spectacular tribute to the foresight of this major player in the Paris art market during the second half of the twentieth century. Born into a Jewish family in Berlin in 1914, he went into exile in California on the eve of World War II. He became art critic for the San Francisco Chronicle and assistant to the director of the San Francisco MoMA. After the war, Berggruen returned to Europe, first to Munich as a journalist, then to Paris where he worked at the UNESCO headquarters before becoming an art dealer specialized in the graphic arts of modern artists. He quickly established contacts within the Parisian cultural scene, meeting both the artists he would represent and the poets, dealers, historians, critics, and collectors of the day. Guided by his personal tastes, he built a solid collection of twentieth-century works now housed at the Neue Nationalgalerie Berlin spanning the careers of Pablo Picasso and Paul Klee and including Henri Matisse’s collages and Alberto Giacometti’s sculptures. The vast ensemble was exhibited at the Orangerie in 2024 and is housed in the Berggruen Museum/Neue Nationalgalerie Berlin.

With new photographs of houses steeped in the period revival tradition, from 1838 to today, not since Rizzoli’s Santa Barbara Style (2001) has a book so eloquently captured the distinctive splendor of this seaside paradise. Known worldwide for the Santa Barbara style, the town epitomizes a type of building at once elegant and suffused with poetry. At its heart is the historic downtown, featuring white-washed Mediterranean-style stucco buildings with tile roofs and the iconic Santa Barbara Mission of 1786, whose austere beauty set the tone for all that followed. From its earliest days, the influence of this place has been felt and has since radiated across the sunbelt; it continues to be a model of emulation and inspiration. But it is the houses and the dream of living in Santa Barbara and its sister communities of Ojai, Carpinteria, Summerland, Goleta, and Montecito that casts the most profound spell.

A new tower stands out against the city skyline: the Unipol Tower designed by Mario Cucinella Architects, an internationally renowned architecture studio based in Milan and Bologna. The Unipol Tower is a 124-meter elliptical tower in the Porta Nuova area, in the heart of the city. Made from glass and steel, it has a glasshouse on the rooftop serving as a cultural venue. Commissioned by Unipol, the leading Italian insurance company, the tower looks beyond the corporate identity and headquarters of Unipol and has been acclaimed as one of the most advanced architecture projects ever created.

Since the launch of his first book and hit TV Show Million Dollar Decorators, Jeffrey Alan Marks has married and become a father. His growing family grounds his new book, a celebration of the idea of home as represented in ten houses, bookended by his own on the West and East Coasts. Marks believes a home must reflect the way its inhabitants want to live, their unique perspective, and how they approach their lives. Trained in England, Marks has long had a deep and profound architectural crush on the British vernacular, which creates a pleasing interplay with his Southern California roots. The result: homes that feel layered and dramatic, but always comfortable.

A mix of high plant/horticultural knowledge and a love of artistically repurposed everyday materials creating unique features will strike a chord with all those who dream of perking up their own gardens. Doreen sought out the most original gardens to feature those that use cleverly repurposed industrial and found materials: handmade archways of gnarled branches or hand-welded fences, mixed with unique sculptures and structures. Text and deep captions full of plant IDs highlight unusual or remarkable collections of flora and foliage that will inspire readers to re-create or come up with their own planting designs and combinations.