Principals Jamie Drake and Caleb Anderson delight in creating imaginative rooms that emphasize the precious alongside the everyday. Drake is known for his fearless use of color as well as his fashion-conscious sensibility. Anderson is lauded for his layered approach and the confidence with which he juxtaposes a variety of historic periods. While firmly focused on contemporary design, their work harkens back to the legendary designers and decorators of yesterday.
Drake/Anderson’s deeply informed yet accessible modernist sensibility is exemplified by eleven remarkable residences, from Manhattan to London to Arizona, in a full spectrum of rich jewel tones and textures. In an aerie with panoramic views, the pair devised a platinum-and-pearl backdrop for a provocative potpourri of materials—wood, lacquer, stone, gypsum, glass, velvet, leather, mirror, and bronze. Whether refashioning a private oasis in the woods, where contemporary pieces mix with custom items of the firm’s design, or bringing a stately 1910 house fully into the present by amalgamating the owners’ antiques with modern and contemporary art, Drake/Anderson embraces a dynamic eclecticism all its own.
Preserving and enhancing a property rich in narrative and natural beauty has been a twenty-year obsession for this property’s owner. Mavec has called upon a host of well-known garden luminaries to help preserve what began as a farm with a solitary stone house originally owned by the publisher of the Nancy Drew mysteries while making it functional, productive, and beautiful for the twenty-first century. Today, a series of individual gardens rest within a natural hollow surrounded by native woodland, including a broad gathering space defined by whimsical cloud-pruned boxwood hedges, groves of lilacs, and dogwoods and hellebores that entice visitors into early-season walks with delicate color each spring, a stone-walled vegetable and flower garden whose geometry is inspired by medieval monasteries, winding perennial-lined paths, orchards that produce over five hundred pounds of apples each fall, a natural pond brimming with aquatic plants, and an elliptical hillside meadow farmed for hay. All lead intuitively back to the “town square,” an open area tucked among the dwelling spaces featuring a broad ground-level fountain that clearly identifies it as the true heart of the farm.
Over two decades, William Curtis and Russell Windham have worked to show that classical architecture can embody the same attention to context and custom approach to design often ascribed to more modern movements, underscoring how versatile classical ideals and details can be. In styles reminiscent of the great Tudor manor houses of England to quaint symmetrical clapboard farmhouses, quintessentially Mission-style haciendas, and of course neo-Georgian mansions, the firm builds houses with a faithful adherence to historical detail, proportion, and materials that makes them stand out as truly world-class designers.
With interiors as much a part of their core practice as exteriors, this firm is able to carry through an integrity of vision—graciously curved banisters, warm and inviting mantels, detailed brickwork, and coffered ceilings—that makes every project feel truly whole, complete. Yet a strong sense still pervades every featured home that they are organized to support modern lifestyles, taking the best of the past and adapting it to create homes that are truly comfortable and functional for today’s families.
Inviting, perfect in proportion, exquisite in detail—such are a few of the ways to describe homes designed by John Simpson. Well known for his work with the British royal family at Buckingham and Kensington palaces and for his buildings at Eton College in the U.K. and at the University of Notre Dame in the U.S., he is perhaps most brilliant at the level of the house and home. Building Beautiful is an invitation to enter the work of this master designer, as one might visit with a treasured friend.
From a dream made real within a Venetian palazzo—a former seventeenth-century near-ruin, brought back to glorious, fancifully detailed life—to an English countryside cottage with a thatched roof, the featured homes are expressions of Simpson’s unerring eye and extraordinary sense of beauty. Here we find drama in contrasts of scale and the seductive effects of light, where a cozy reading nook opens to an expansive living room with a double-height ceiling that nevertheless feels not overly large but rather just right. This is Simpson’s subtle art—a mastery of scale, balance, and a pervading sense of elegance.
Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age.
Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.
Every year, Bvlgari launches its High Jewelry collection, featuring 150 mesmerizing, one-of-a-kind pieces. This year, the focus of the design is the symbolism and richness of the world of color—a luxurious journey through shapes, hues, and a multitude of creative forms.
The colors of gems have always provided a source of inspiration and innovation for Bvlgari. This year’s jewelry collection goes to the roots of the brand famous for forging new creative paths. Bvlgari’s ever-evolving aesthetic goes hand in hand with its commitment to high-end Italian craftmanship. This unique volume presents Bvlgari’s craftmanship and artistry and provides a lavish catalogue at the highest level of the jeweler’s art and contributions of artists exploring the world of colors with their works.
Chanel expert Isabelle Fiemeyer offers a rare, deeply personal look into the life of the iconic designer Coco Chanel. This biography draws from exclusive interviews with Chanel’s closest family members and extensive archival research to reveal the designer’s most private world—her love for symbolism and poetry, her romantic relationships, and her enduring bond with her nephew, André Palasse, whom she raised as her own son. His daughter, Gabrielle Palasse-Labrunie—Chanel’s goddaughter and only direct descendant—shares intimate memories and access to her great-aunt’s cherished collection of fashion, jewelry, and art.
Divided into five chronological sections, the book immerses readers in Chanel’s life, unveiling rarely seen personal artifacts: gifts from her great love, Boy Capel, as well as her furniture, favorite jewelry, talismans, garments, family photos, and correspondence. This new text expands upon Fiemeyer’s research from her previous books on the designer and includes the compelling chapter “Alias Coco,” which explores newly uncovered documents from French Secret Service archives, shedding light on Chanel’s clandestine activities during World War II and her connections to the Resistance.
Jonathan Rachman's instantly classic designs come to life in vibrant and sumptuous color in this first monograph on the Sumatran-born, San Francisco-based interior decorator.
Interior decorator Jonathan Rachman opens the doors to his universe in this volume illustrating his eclectic, vividly colorful, and markedly refined style, through various projects undertaken for prestigious clients.
Born on the island of Sumatra in Indonesia, trained in Switzerland, and today based out of San Francisco, Rachman injects his projects with his own wide-reaching, worldly experience, his explorations into provincial flea markets, and his taste for textiles, leather goods, handicrafts, and art objects. In each of his designs, he combines the best materials from the East and the West, devising personalized plans for his clients and creating a timeless approach to interior design.
With a lively color palette, luxurious materials, and an incredible attention to detail, Rachman has received multiple awards and acclaim for his work from renowned publications such as Vogue, Elle, and Harper's Bazaar.
Across Brazil and around the world, the elegant and meticulously crafted spaces designed by the firm Dado Castello Branco Arquitetura e Interiores are known for blending functionality with aesthetic allure. These places—residences, apartments, and villas, all in the signature style the firm has honed since its founding in São Paulo in the early 1990s—are brought to cinematic life by Brazilian artistic director and visual artist Ricardo van Steen. In these pages, van Steen stages a visual journey through four key elements of the company’s sophisticated design vision: He considers light as medium and muse, almost a character in the drama of each living, breathing space. He attends to matter, meaning the very materials of wood, copper, stone, fabric, and glass through which Dado’s designs achieve their richness and authenticity. He turns to the horizon, an essential feature that opens up perspectives and creates visual intrigue, serving as a metaphorical guide to the soul of the space. And he closes with art, paying tribute to Dado Castello Branco’s lifelong passion for the artists who inspire him and the art objects whose presence enhances these meticulous interiors. This richly illustrated publication brings us into these worlds of drama and elegance with exclusive photography and a profound consideration of the legacy of this legendary firm.
Celebrating the full arc of 40 years’ worth of Yarrow’s most iconic images, this massive retrospective is the must-have photography monograph of the year.
Legendary British photographer David Yarrow showcases 150 of his best images in a curated mix of yet-to-be-published and best-selling photographs. The Collection details the artist’s journey from a 20-year-old shooting pitchside at the 1986 FIFA World Cup Final to photographing the natural world and, more recently, simply telling stories. His personal anthology of the Wild West sought to entertain, not teach, and its success encouraged him to tell historical stories elsewhere. These large-scale productions across multiple continents have told epic stories, from a lion on a catwalk in South Africa to a car race at Willow Springs International Raceway to evocative scenes in some of the world’s most exclusive towns.
Yarrow refuses to be conveniently categorized within a specific genre of photography through the stories he tells. This collection of his work showcases his rigorous aesthetic program and his relentless journey that has taken him around the world, photographing subject matter that includes sports stars, wildlife, supermodels, and frontier towns. The Collection offers additional insight through behind-the-scenes photos and Yarrow’s own first-person contextual narratives.