ARTES

This book highlights the highly creative work of Barceló (b. 1957) with more than a dozen new paintings and a selection of recent ceramic objects. Born in Mallorca, Barceló’s mixed-media paintings, sculptures, and ceramics often feature relief-like textures and expressive forms. His fascination with the natural world has inspired his richly textured canvases that recall the earthly materiality of Catalan painters such as Antoni Tàpies and Joan Miró, as well as compositions that study the effects of light and the ever-changing colors of the sea. The book includes a selection of new paintings from the corrida series, depicting the circular space of the bullfighting ring in vibrant colors. His ceramic practice includes his distinctive forms molded by hand then painted in vivid colors. Excerpts from Barceló’s recent autobiography, De la vida mía (Of My Life), bring together his notebooks, paintings, photos, stories, and objects from the artist’s various studios.

For nearly two decades, Jackson has held a singular position: Getty Images’ most trusted lens on the British monarchy. In Modern Majesty, he offers a compelling and beautifully curated portrait of a royal family reinventing itself in the twenty-first century. From King Charles III’s historic accession and the growing roles of the Prince and Princess of Wales, to poignant family moments and wide-ranging public duties, Jackson captures the intimate and iconic moments that define this new royal era. Featuring exclusive photographs—many never before published—and compelling behind-the-scenes commentary, Modern Majesty illuminates the balance between tradition and transformation. Whether photographing historic state occasions, tender private gatherings, diplomatic visits, or charity initiatives, Jackson brings warmth, dignity, and insight to every image. His work is the product of more than twenty years embedded within royal life, marked by trust, access, and a rare eye for authenticity.

In endless odes to the female form, Amedeo Modigliani (1884–1920) traced elongated bodies, almond eyes, and his own name into art history. His languid female subjects are as instantly recognizable as they are startling, sensual, and swan-necked. Modigliani's unique figuration corresponded to his own personal idea of beauty, but drew upon a rich variety of visual influences, including contemporary Cubism, African carvings, Cambodian sculptures, and 13th-century painting from his native Italy. Although most renowned for his nude females, he applied similar stylistic techniques to portraits of male artistic contemporaries such as Pablo Picasso, Jean Cocteau, and Chaïm Soutine. With key works from his highly individualistic repertoire, this book introduces Modigliani's brief but revered career at the heart of Paris’s early modernist hotbed.

Monet’s Venice paintings are high points in his lifelong engagement with the interplay of water and light. Monet and Venice—anchored by two masterworks from the collections of Brooklyn and San Francisco, The Doge’s Palace and The Grand Canal, Venice—will be the first exhibition and English-language publication dedicated to this significant suite of paintings since their Parisian debut at the Bernheim-Jeune gallery in 1912. Monet keenly felt the burden of influence in a city that had so often been depicted and had long been an icon of waning, fragile beauty. Venice was—and is—a place where culture and nature are profoundly and uniquely entangled. Monet’s images of Venice’s buildings and canals dissolved in colorful mist and hazy light may be seen as meditations on human aesthetic interaction with a natural environment built upon for centuries.

During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility. Monstrosities in the real world bred monsters in paintings and sculpture, on film, and in the pages of journals and artists' books. Despite the political and personal turmoil brought on by the Spanish Civil War and World War II, avant-garde artists in Europe and those who sought refuge in the United States pushed themselves to create some of the most potent and striking images of the Surrealist movement. Trailblazing essays by four experts in the field trace the experimental and international extent of Surrealist art during these years--and, perhaps most unexpectedly of all, its irrepressible beauty.

Miedo, pero fascinación; espanto, pero atracción. Nuestra relación con los monstruos es dual y contradictoria desde el inicio de los tiempos y precisamente por eso tantos artistas decidieron plasmar sus peores pesadillas y las causas de tanto horror en innumerables obras. Algunas de las más emblemáticas y oscuras están dentro de este libro. Pasar las páginas de este libro es un acto de valor, aunque todos sabemos lo seductor que puede ser el peligro.