ARTES

While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840–1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker.

Bearden (1911–1988) was a prominent African American artist often described as the consummate jazz painter, known for his innovative collages that explored themes of Black American culture, history, and personal experiences. This publication reexamines Bearden’s life and work in the context of jazz, tracing the musician’s impact from the artists’ earliest oil paintings to his iconic collages. In 1981, Bearden created nineteen collages that the artist called his “Paris Blues,” or simply “Jazz,” series. Conceived as pages for an oversized book that would be a response to the Hollywood movie Paris Blues (1961)—though featuring Harlem and New Orleans along with Paris—the series has been little known until now. Here the wildly colorful illustrations are set alongside Bearden’s encounters with iconic jazz musicians, clubs, and cities. Examined for the first time in depth, the Paris Blues series makes a major statement on the relationships between visual art, jazz music, and urban spaces. The book also includes poignant photographs of Bearden and musicians in the 1950s–70s, such as Duke Ellington and Louis Armstrong.

This bumper photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomparable cultural capital. From sepia and black and white to color, these outstanding images dating from the 1840s to the present day allow us ― through the eyes of such photographers as Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein ― to discover Rome in its many compelling guises: as the center of the Roman Empire, as one of the cradles of the Renaissance, as a favorite destination for travelers and a rich patchwork of varied neighborhoods, as the seat of the Roman Catholic Church, a stage for politics, and as the perfect backdrop for film and fashion shoots.

Cuando falleció Mozart, su cortejo fúnebre fue seguido por los varones de la familia y por un único músico: Antonio Salieri. Pocos días después, se origina un rumor por toda la ciudad: el compositor italiano habría asesinado a Mozart por celos.