ARTES

Viena combina drama y elegancia como pocas ciudades. Majestuosa y sinónimo para muchos de suntuosos palacios y grandeza imperial, la urbe a orillas del Danubio fue durante siglos el corazón del Imperio austrohúngaro. Pero más allá de la exuberancia del barroco, Viena es también una de la capitales de la refinada cultura de café y de la tradición epicúrea, y atesora al mismo tiempo un patrimonio de música, arte y diseño vanguardista y exquisito que va de Johan Strauss a Egon Schiele, de Gustav Mahler a Josef Hoffmann.Vienna, Portrait of a City es un tesoro compuesto por fotografías de los últimos 175 años que repasan la evolución de la ciudad, desde que fuera capital imperial hasta convertirse en metrópolis moderna. Un paseo visual por el tiempo y el paisaje urbano con cientos de imágenes seleccionadas cuidadosamente que muestran el desarrollo arquitectónico de Viena y de las tendencias culturales e históricas que en ella se reflejan, ya sea la Ringstraße, una Gesamtkunstwerk (obra de arte total) urbana del siglo XIX, o los experimentos de la ?Viena Roja? en la década de 1920, cuando la ciudad tuvo un gobierno socialdemócrata por primera vez.

Los asombrosos testimonios gráficos recogidos en Visiones del paraíso acercan a nuestras almas facetas y sensaciones desconocidas de cuanto hay de divino en el mundo. Complementadas por artículos de destacados escritores y por los recuerdos de los propios fotógrafos, cada imagen es un irresistible reflejo del cielo en la Tierra, y también un llamamiento casi desesperado a todos nosotros para que salvemos el planeta.

On November 18, 1928, the world’s most famous mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin. This edition is derived from the XXL book that was produced with unlimited access to Disney’s vast historical collections as well as public and private collections. The authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.

The world appears to be divided into cat and dog lovers, but fortunately Walter Chandoha, the 20th century’s greatest pet photographer found himself happily in the middle. He loved these intriguing creatures equally for their unique beauty and individualism, and as subjects to photograph in a career spanning over 70 years. While working on his critically acclaimed TASCHEN book Cats, Chandoha handpicked his favorite dog photos for a potential follow-up title, putting into carefully marked boxes hundreds of contact sheets, prints, and color transparencies, many unseen for at least 50 years, and some totally unseen. Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s photographs of dogs are compelling not just because dogs have an inherent charm, but because the person behind the camera was a master of his craft,” writes the photography critic Jean Dykstra in the book’s introduction. We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs, show dogs, working dogs, and many more, featuring over 60 breeds photographed in both black-and-white and glorious Kodachrome.Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures.

Andy Warhol (1928–1987) is hailed as the most important proponent of the Pop art movement. A critical and creative observer of American society, he explored key themes of consumerism, materialism, media, and celebrity. Drawing on contemporary advertisements, comic strips, consumer products, and Hollywood’s most famous faces, Warhol proposed a radical reevaluation of what constituted artistic subject matter. Through Warhol, a Campbell’s soup can and Coca Cola bottle became as worthy of artistic status as any traditional still life. At the same time, Warhol reconfigured the role of the artist. Famously stating “I want to be a machine,” he systematically reduced the presence of his own authorship, working with mass-production methods and images, as well as dozens of assistants in a studio he dubbed the Factory. This book introduces Warhol’s multifaceted, prolific oeuvre, which revolutionized distinctions between “high” and “low” art and integrated ideas of living, producing, and consuming that remain central questions of modern experience.

A definitive and long overdue monograph revealing the extraordinarily prolific career of the American artist Wes Lang, whose frenetic and manic paintings bring together ideas and icons mined from a post-pop American landscape. In the Wes Lang universe, recurring figures and symbols—horses, reapers, skulls, Native American chiefs, even nods to his favorite painters, country and jazz musicians—serve as emblems in one way or another for freedom and inspiration. References to the Tao Te Ching and the lectures of Ram Dass are scattered throughout the work, revealing a central ethos that underlies the artist’s complex iconography. The repetition of these sometimes paradoxical images and phrases, motifs and mantras, gives Lang’s work a ritualistic aspect seemingly at odds with his eclectic and spontaneous style. Introduced with an exploratory essay by the critic Arty Nelson, the book draws on more than 25 years’ worth of material, from stark paintings on wood that formed the artist's first exhibition to richly layered oil paintings exhibited in Paris in 2020, and from unpublished pencil drawings to imagery made iconic by his enigmatic commercial collaborations. Oversized and with pull-out gatefold pages, the book is testament to the scope and richness of Lang's work: expansive in its iconography, deceptively intimate in its detail, and juxtaposing a textured, painterly style with a playful acceptance of the diversity of his own influences.