BELLAS ARTES

This comprehensive monograph is an exclusive look inside the château that inspired the design of Versailles and today continues to enchant visitors and film directors alike. Vaux-le-Vicomte’s rich history began in 1641 when infamous French finance minister Nicolas Fouquet, the original owner, surrounded himself with the most skilled and talented artisans of the time: the architect Louis Le Vau, the painter Charles Le Brun, and the garden designer André Le Nôtre, to create a perfect harmony between architecture and landscape. The Château de Vaux-le-Vicomte and its spectacular gardens fascinated Louis XIV and were the inspira­tion for Versailles. Classified as a historical monument since 1875 under the impetus of the owner at the time, the castle of Vaux-le-Vicomte quickly became a model of the artistic genius of the seventeenth century. This volume traces the château’s history from the seventeenth century through the Belle Époque, World War I, and its public opening in 1968. Exclu­sive photography and archival documents offer unprecedented access to the château, furnishings, and gardens, and illuminate the extraordinary secrets of court life and centuries of celebrations that include the enchanting candlelit tours held today.

World-renowned interior visionary Veere Grenney takes us on an in-depth tour of his impressive residences in Tangier; Suffolk, England; and, for the first time, his new London home. The book begins with his beloved Tangerine villa—a decade-long labor of love and must-see for all garden enthusiasts, completed with the help of friend and expert in wild garden design Umberto Pasti and a regency gazebo designed by architect Cosimo Sesti. Next, we visit the Temple, his 18th-century Suffolk “pocket Palladian” set within the parkland of Tendring Hall and with views of the fishing lake and geranium-filled garden. Grenney called this picturesque sanctuary home for much of 2020. Finally, with exclusive photographs and annotations, Grenney opens the doors for the very first time to his brand-new London home.

Todos actores y personajes así como las personas en general tenemos una persona pública con la que nos presentamos ante los demás, una necesidad insatisfecha encubierta bajo esa máscara y cometemos un error trágico cuando reaccionamos ante un choque entre lo queremos que se piense de nosotros y lo que realmente somos. Sobre estos tres elementos clave Susan Batson ha desarrollado un proceso de técnica actoral que han seguido estrellas de la talla de Nicole Kidman, Tom Cruise, Bradley Cooper o Juliette Binoche. En Verdad, un clásico desde su publicación en 2007, expone didácticamente ante un círculo de alumnos imaginarios (pero en los que no cuesta reconocer actitudes y personalidades frecuentes en el mundo de la interpretación), los múltiples recursos que un actor o actriz debe explorar y aprovechar «para que un personaje esté vivo».

En vida, la fama de Johannes Vermeer (1632-1675) apenas sobrepasó las fronteras de su ciudad natal, Delft, y el reducido círculo de sus mecenas. Despues de su muerte, su nombre cayó largo tiempo en el olvido y fuera de Holanda sus pinturas llegaron a atribuirse erróneamente a otros artistas. No fue hasta mediados del siglo XIX cuando Vermeer llamó la atención del mundo del arte internacional que, de pronto, supo admirar su precisión narrativa, la meticulosidad de los detalles de sus texturas y los majestuosos planos lumínicos. Habían descubierto a un genio.

Despite numbering at just 35, his works have prompted a New York Times best seller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”. In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, spotted a genius, and never looked back. This 40th anniversary edition showcases the complete catalog of Vermeer’s work, presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States into one monograph of utmost reproduction quality. Crisp details and essays tracing Vermeer’s career illuminate his remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look.

His works have prompted a New York Times bestseller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”. In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural details, and majestic planes of light, spotted a genius, and never looked back.