LETRAS

On a small island in a remote corner of northwest Scotland lies Maundrell castle, owned by its wealthy namesake family for centuries—until now. Edwina Nunn is shocked to learn a relative she never heard of has bequeathed the castle and its land to her. What awaits Edie and her teenage daughter, Neve, is even more startling, for the castle is home to a multitude of ghosts. Yet there’s a strange beauty in the austere architecture and the eerie, bloody waters of Loch na Scáthanna, the Lake of Shadows. Beguiled by a frightened ghost who gazes longingly out of the castle’s windows, Edie and Neve are drawn to the legends shrouding the island and the mystery of the Maundrell Red—a priceless diamond that disappeared decades before. Is the gem really cursed, and the cause of the family tragedies that have all occurred on Samhain—Scottish Halloween? As Samhain approaches once more, Edie and Neve race to peel back the dark secrets entwining the living and the dead—a twisted story of bitter cruelty and hidden love—or they will become another Maundrell tragedy trapped in the lonely hours . . .

October 1942: it’s been two years since Kate Rees was sent to Paris on a British Secret Service mission to assassinate Hitler. Since then, she has left spycraft behind to take a training job as a sharpshooting instructor in the Scottish Highlands. But her quiet life is violently disrupted when Colonel Stepney, her former handler, drags her back into the fray for a risky three-pronged mission in Paris. Each task is more dangerous than the next: Deliver a package of forbidden biological material. Assassinate a high-ranking German operative whose knowledge of invasion plans could turn the tide of the war against the Allies. Rescue a British agent who once saved Kate’s life—and get out. Kate will encounter sheiks and spies, poets and partisans, as she races to keep up with the constantly shifting nature of her assignment, showing every ounce of her Oregonian grit in the process.

Lady Grace Fairfax, witch, knows that something foul is at play that someone had betrayed Anne Boleyn and her coven. Wild with the loss of their leader and her lover, a secret that if spilled could spell Grace’s own end she will do anything in her power to track down the traitor. But there’s more at stake than revenge: it was one of their own, a witch, that betrayed them, and Grace isn’t the only one looking for her. King Henry VIII has sent witchfinders after them, and they’re organized like they’ve never been before under his new advisor, the impassioned Sir Ambrose Fulke, a cold man blinded by his faith. His cruel reign could mean the end of witchkind itself. If Grace wants to find her revenge and live, she will have to do more than disappear.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail. Each believing the other to be dead, they escape, fleeing across the globe, reinventing themselves until fate ultimately brings them back together in the most unlikely of ways… Endlessly surprising, vividly imaginative, bursting with lush life, The Volcano Daughters charts a new history and mythology of El Salvador, fiercely bringing forth voices that have been calling out for generations.

A powerful exploration of how we pay attention that will transform the ways we connect with one another – at home, at work, and beyond. Paying attention is a crucial human skill, yet many of us have forgotten how to listen carefully and observe intentionally. Deluged by social media and hobbled by the increasing social isolation it fosters, we need to rediscover the deeply human ways we connect with others.

«Aquí se aprende muy poco, falta personal docente y nosotros, los muchachos del Instituto Benjamenta, jamás llegaremos a nada, es decir que el día de mañana seremos todos gente muy modesta y subordinada. La enseñanza que nos imparten consiste básicamente en inculcarnos paciencia y obediencia, dos cualidades que prometen escaso o ningún éxito. Éxitos interiores, eso sí. Pero ¿qué ventaja se obtiene de ellos? ¿A quién dan de comer las conquistas interiores?». Así empieza Jakob von Gunten, la tercera novela de Robert Walser, la más amada por el autor, y también la más discutida e innovadora, escrita en 1909 en Berlín, tres años después de haber dejado el centro donde se había educado. El gran protagonista de esta historia «singularmente delicada», según un juicio de Walter Benjamin, es el propio instituto: el alumno Jakob, a través de su diario, nos introduce en todos sus secretos, en sus dramas y pequeñas tragedias y en todos sus misterios, convirtiéndolo en uno de los escenarios verdaderamente memorables de la literatura del siglo XX.