LETRAS

Monasterio de Piedra, 1543. En plena noche, un novicio encuentra a una mujer en el bosque con la ropa hecha jirones y gritando como si acabara de escapar del infierno. Uno de los monjes la reconoce como Daniela, hija del comendador de Nuévalos asesinada cuatro años atrás. ¿Ha regresado de entre los muertos? ¿Dónde ha estado todo este tiempo? Pero Daniela no es la única desaparecida. Desde hace un tiempo, los raptos y los asesinatos de chicas jóvenes se han sucedido en Nuévalos y los habitantes del pueblo temen el tañido lúgubre de las campanas que anuncian la llegada de una compañía demoniaca que siembra el terror en sus calles. Pero no todos creen en la naturaleza diabólica de esos seres. Dino D’Angelis, el mejor agente de Carlos V, y Charlène Dubois, médico personal de la familia imperial, son enviados a Nuévalos para resolver el misterio. Pese a la oposición de un pueblo sumido en la superstición, se adentrarán en una investigación que los precipitará hacia un torbellino de oscuros intereses, horror y crímenes.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and the unexpected restrictions that come with vast fortune.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It’s an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated—and certainly more compelling—than the stories immortalized by Hollywood.

When Morgan and Benji surprise their families with a wedding invitation to Maine, they’re aware the news of their clandestine relationship will come as a shock. Twelve years have passed since the stunning loss of sixteen-year-old Alice, Benji’s sister and Morgan’s best friend, and no one is quite the same. But the young couple decide to plunge headlong into matrimony, marking the first time their fractured families will reunite since Alice’s funeral. As the arriving guests descend upon the tranquil coastal town, they bring with them not only skepticism about the impromptu nuptials but also deep-seated secrets and agendas of their own. Peter, Morgan’s father, may be trying to dissuade his daughter from saying “I do,” while Linnie, Benji’s mother, introduces a boyfriend who bears a tumultuous past of his own. Nick, Benji’s father, is scheming to secure a new job before his wife—formerly his mistress—discovers he’s lost his old one. Morgan, too, carries delicate secrets that threaten to jeopardize the happiness for which she has so longed. And as for Benji—well, he’s just trying to make sure the whole weekend doesn’t implode.

Una despedida. Un encuentro. ¿Qué pasa cuando una historia de amor se enrolla en espiral como una escalera de caracol? Para Julia todo ha terminado. Acaba de firmar los papeles del divorcio, se ha quitado la alianza y ha cogido la maleta con la idea de dejar atrás a Samuel. Para Samuel, en cambio, todo ha comenzado. Acaba de toparse con Julia por primera vez y ha surgido la chispa. Entre presente y pasado, Julia y Samuel nos cuentan su historia escrita desde los dos lados del corazón.

Una joven muerta en los acantilados de Sancti Petri… Un matrimonio herido por la desconfianza… Y el hallazgo de una pieza arqueológica de extraordinario valor que despierta la avaricia de todos. A pesar de comenzar de cero en una nueva casa en Chiclana, Luz no logra dejar atrás sus sospechas. Rodrigo lleva un tiempo comportándose de un modo extraño. Ella conoce esa mirada esquiva, por eso teme que le esté siendo infiel otra vez. Desesperada, decide contratar a una joven detective privada que se convertirá en su sombra. Todo se complica cuando el cuerpo de la chica aparece sin vida en los acantilados de Sancti Petri. Y solo Alfredo, el camarero que la vio por última vez, parece interesado en encontrar respuestas. En esa búsqueda de la verdad, el hallazgo de una estatuilla fenicia detonará las vidas de aquellos que jueguen con su poder y se crean con el derecho de atesorarla. Después de la publicación de Perro que no ladra, la escritora Blanca Cabañas regresa con un thriller envolvente que atrapa al lector en una espiral voraz que nos lleva a adentrarnos en un mundo de intereses y a disfrutar de los episodios desconocidos de la historia fenicia de Cádiz. Deseos oscuros, avaricia, mitología, investigación y secretos en una novela que hará las delicias de los lectores del género.