LETRAS

If you're injuring someone, you should stop—and pay for the damage you've caused. Why, this book asks, does this simple proposition, generally accepted, not apply to climate change? In Climate Justice, a bracing challenge to status-quo thinking on the ethics of climate change, renowned author and legal scholar Cass Sunstein clearly frames what’s at stake and lays out the moral imperative: When it comes to climate change, everyone must be counted equally, regardless of when they live or where they live—which means that wealthy nations, which have disproportionately benefited from greenhouse gas emissions, are obliged to help future generations and people in poor nations that are particularly vulnerable.

An Australian millionaire’s plan to mine the ocean floor. Nigerian garbage pickers risking their lives to salvage e-waste. A Bill Gates-backed entrepreneur harnessing AI to find metals in the Arctic. These people and millions more are part of the intensifying competition to find and extract the minerals essential for two crucial technologies: the internet and renewable energy. In Power Metal, Vince Beiser explores the Achilles’ heel of “green power” and digital technology – that manufacturing computers, cell phones, electric cars, and other technologies demand skyrocketing amounts of lithium, copper, cobalt, and other materials. Around the world, businesses and governments are scrambling for new places and new ways to get those metals, at enormous cost to people and the planet. Beiser crisscrossed the world to talk to the people involved and report on the damage this race is inflicting, the ways it could get worse, and how we can minimize the damage. Power Metal is a compelling glimpse into this disturbing yet potentially promising new world.

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

Everyone is programmed a little differently, and Bill Gates' unique insight led to business triumphs that are now widely known: the twenty-year-old who dropped out of Harvard to start a software company that became an industry giant and changed the way the world works and lives; the billionaire many times over who turned his attention to philanthropic pursuits to address climate change, global health, and U.S. education. Source Code is not about Microsoft or the Gates Foundation or the future of technology. It’s the human, personal story of how Bill Gates became who he is today: his childhood, his early passions and pursuits. It’s the story of his principled grandmother and ambitious parents, his first deep friendships and the sudden death of his best friend; of his struggles to fit in and his discovery of a world of coding and computers in the dawn of a new era; of embarking in his early teens on a path that took him from midnight escapades at a nearby computer center to his college dorm room, where he sparked a revolution that would change the world. Bill Gates tells this, his own story, for the first time: wise, warm, revealing, it’s a fascinating portrait of an American life.

A finales de 1804, Napoleón y Wellington intentan cada uno de distinta forma de escapar de sus respectivas mujeres (Josefina y Kitty Pakenham respectivamente) y, curiosamente, ambos dirigen su mirada a la península Ibérica: Napoleón con el objetivo de poner a uno de sus hermanos al frente de un país en el que la política y la religión se han convertido en grandes campos de batalla entre aristocracia, clero y pueblo llano; Wellington, con la intención de huir del politiqueo de baja estofa que se ha adueñado de Londres y con el deseo de eclipsar la aureola que rodea al héroe del momento, el capitán Nelson. Simon Scarrow ha puesto en pie uno de los ciclos históricos más apasionantes jamás escritos, entre cuyas virtudes se cuenta el ofrecernos una visión más clarificadora y exacta de las guerras napoleónicas que muchos tratados de historia.

La princesa Théra deja el trono en manos de su hermano pequeño para luchar contra los lyucu en Ukyu-Gondé. Ha cruzado el legendario Muro de las Tormentas con una flota de guerra y diez mil combatientes. En Dara, mientras tanto, las corrientes de poder fluctúan al vaivén de las rivalidades de los líderes lyucu y la corte del Diente de León. Aquí, padres e hijos, maestros y discípulos, emperatriz y pékyu, alimentan las semillas de planes que tardarán años en germinar. En todas partes, el espíritu de la innovación flota en el ambiente como semillas de diente de león y el pueblo, los olvidados y los ignorados empiezan a ingeniar soluciones para una nueva era. En la tradición de las grandes epopeyas de nuestra historia, Ken Liu construye en esta saga una historia de formidable alcance y magnitud.