A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her.
One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river.
In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman.
To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan.
As she proves herself, her restlessness returns, until an opportunity arises to cover a brewing civil war in Chile. She seizes it, as does Eric, and while there, she meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she and Eric discover love, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny.
In the ballrooms and drawing rooms of Regency London, rules abound. From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince—while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable…but not too amiable.
Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honestfor that, too unwilling to play the romantic games that captivate gentlemen.
When Sadie Brooks unexpectedly loses her marketing job, she flees New York City to spend the summer with her best friend in small-town Texas, where joining his Dungeons & Dragons campaign is the perfect distraction while she plans her next steps.
In the game, she becomes Jaylie, a powerful human cleric blessed by the Goddess of Luck. But in real life, Sadie believes her luck has run out—until she meets Noah Walker, the outgoing bartender roped into joining their party as Loren, an adventurous and charismatic lute-strumming elf. Just as Jaylie finds herself succumbing to the bard’s charms over the course of their party’s travels, Sadie also begins to fall under Noah’s spell.
As their relationship progresses in both worlds, Sadie wonders if what they have might last beyond the game. But like his traveling bard character, Noah never stays in one place for long. When a new opportunity arises in New York, Sadie must face the truth about why she lost her job in the first place—and whether she and Noah have found something in Texas worth staying for. Torn between her career dreams in the city and the exciting uncertainty of a new adventure, she will have no choice but to roll the dice.
“The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be.