LETRAS

When Sadie Brooks unexpectedly loses her marketing job, she flees New York City to spend the summer with her best friend in small-town Texas, where joining his Dungeons & Dragons campaign is the perfect distraction while she plans her next steps. In the game, she becomes Jaylie, a powerful human cleric blessed by the Goddess of Luck. But in real life, Sadie believes her luck has run out—until she meets Noah Walker, the outgoing bartender roped into joining their party as Loren, an adventurous and charismatic lute-strumming elf. Just as Jaylie finds herself succumbing to the bard’s charms over the course of their party’s travels, Sadie also begins to fall under Noah’s spell. As their relationship progresses in both worlds, Sadie wonders if what they have might last beyond the game. But like his traveling bard character, Noah never stays in one place for long. When a new opportunity arises in New York, Sadie must face the truth about why she lost her job in the first place—and whether she and Noah have found something in Texas worth staying for. Torn between her career dreams in the city and the exciting uncertainty of a new adventure, she will have no choice but to roll the dice.

At first glance, Harry Haller seems like a respectable, educated man. In reality, he is the Steppenwolf: wild, strange, alienated from society, and repulsed by the modern age. But as he is drawn into a series of dreamlike and sometimes savage encounters—accompanied by, among others, Mozart, Goethe, and the bewitching Hermione—the misanthropic Haller undergoes a spiritual, even psychedelic, journey, and ultimately discovers a higher truth and the possibility of happiness.

A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan. As she proves herself, her restlessness returns, until an opportunity arises to cover a brewing civil war in Chile. She seizes it, as does Eric, and while there, she meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she and Eric discover love, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny.

Former special ops pilot Maya, home from the war, sees an unthinkable image captured by her nanny cam while she is at work: her two-year-old daughter playing with Maya’s husband, Joe—who was brutally murdered two weeks earlier. The provocative question at the heart of the mystery: Can you believe everything you see with your own eyes, even when you desperately want to? To find the answer, Maya must finally come to terms with deep secrets and deceit in her own past before she can face the unbelievable truth about her husband—and herself.

“The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be.