LETRAS

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

In Navola, a bustling city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their staggering wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese knowing who to trust and who to doubt, and how to read what lies hidden behind a smile. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur—like the fossilized dragon eye in the family’s possession, a potent symbol of their raw power and a talisman that seems to be summoning Davico to act.

A gifted young knight named Collum arrives at Camelot to compete for a place at the Round Table, only to find that he’s too late. King Arthur died two weeks ago at the Battle of Camlann, and only a handful of the knights of the Round Table are left. The survivors aren’t the heroes of legend like Lancelot or Gawain. They’re the oddballs of the Round Table, like Sir Palomides, the Saracen Knight, and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. But it's up to them to rebuild Camelot in a world that has lost its balance, even as God abandons Britain and the fairies and old gods return, led by Morgan le Fay. They must reclaim Excalibur and make this ruined world whole again—but first they'll have to solve the mystery of why the lonely, brilliant King Arthur fell.

Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family. And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.

Fitzgerald’s second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald’s intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, “Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe—when he cuts himself, you will bleed.”

The Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love—from friendship to romance to abiding family ties—with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot. Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are. With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers.

As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious—and learning to go on—from the Pulitzer Prize–winning author of The Hours April 5, 2019 : In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. Meanwhile Nathan, age ten, is taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents. April 5, 2020: As the world goes into lockdown, the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe, while Nathan attempts to skirt her rules. Isabel and Dan communicate mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company. April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—with what they’ve learned, what they’ve lost, and how they might go on.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

As the head of a prestigious movie studio for nearly two decades, Andy Westfield has had every conceivable professional luxury: a stunning office on the forty-fourth floor, a loyal assistant who can all but read his mind, access to a private jet and company cars. The son of Hollywood royalty, Andy always put his career before his marriage, and now, besides his daughter and young grandchildren, it’s the only thing he truly loves. But then Andy’s world is upended. The studio is sold, and the buyer’s son demands the top seat. Out of a job and humiliated, Andy spirals. When his head clears, he decides to get as far away from Los Angeles as possible until the dust settles and he can find a new way forward. Andy signs a six-month rental agreement for a luxurious home in a tiny, forgotten coastal town two hours from London. When he arrives, he hires a local woman to help get his affairs in order. A former journalist, Violet Smith is at a crossroads as well, and this temporary job is exactly what she needs to tide her over. But when Violet leaves the manuscript of her unfinished novel behind after work one day, Andy lets his curiosity get the best of him and is captivated by a story that begs to be adapted for the big screen. Could this be the miracle they’ve both been looking for? In Second Act, Danielle Steel presents a heartening tale of how challenging times give way to opportunities and an original outline does not always contain the perfect ending.