LETRAS

Joan Sample is not living the life she expected. Now a widow and an empty-nester, she has become by her own admission something of a recluse. But after another birthday spent alone, she is finally inclined to listen to her sister, who has been begging Joan to reengage with the world. With Emmie’s support, Joan gathers the courage to take some long-awaited steps: hiring someone to tame her overgrown garden, joining a grief support group, and even renting out a room to a local college student. Before long Joan is starting to feel a little like herself again. Across town, Maggie Herbert works mornings as a barista, tending to impatient customers before rushing to afternoon nursing classes. She lives with her alcoholic father, ducking his temperamental outbursts and struggling to pay the household bills. But her circumstances brighten when she finds a room for rent in Joan’s home. In the unexpected warmth of her new situation, Maggie finds a glimmer of hope for a better life. But will Maggie’s budding attraction to one of her favorite customers ruin the harmony she’s only recently found with Joan? Meanwhile, what is Joan to make of the mysterious landscaper who’s been revitalizing her garden—a man who seems to harbor a past loss of his own?

Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological well-being, fall below 10 percent. Then they retire themselves, embarking on a ferry ride to the island known as the Nursery, where their failing bodies are renewed, their memories are wiped clean, and they are readied to restart life afresh. Proctor Bennett, of the Department of Social Contracts, has a satisfying career as a ferryman, gently shepherding people through the retirement process—and, when necessary, enforcing it. But all is not well with Proctor. For one thing, he’s been dreaming—which is supposed to be impossible in Prospera. For another, his monitor percentage has begun to drop alarmingly fast. And then comes the day he is summoned to retire his own father, who gives him a disturbing and cryptic message before being wrestled onto the ferry.

It is 1940 and twenty-year-old Charlotte Richmond watches from her attic window as enemy planes fly over London. Still grieving her beloved brother, who never returned from France, she is trying to keep herself out of trouble: holding down a typist job at the Ministry of Information, sharing gin and confidences with her best friend, Elena, and dodging her overbearing father. On her way to work she often sees the boy who feeds the birds—a source of unexpected joy amid the rubble of the Blitz. But every day brings new scenes of devastation, and after yet another heartbreaking loss Charlotte has an uncanny sense of foreboding. Someone is stalking the darkness, targeting her friends. And now he’s following her. As grief and suspicion consume her, Charlotte’s nerves become increasingly frayed. She no longer knows whom to trust. She can’t even trust herself . . .

A gifted young knight named Collum arrives at Camelot to compete for a place at the Round Table, only to find that he’s too late. King Arthur died two weeks ago at the Battle of Camlann, and only a handful of the knights of the Round Table are left. The survivors aren’t the heroes of legend like Lancelot or Gawain. They’re the oddballs of the Round Table, like Sir Palomides, the Saracen Knight, and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. But it's up to them to rebuild Camelot in a world that has lost its balance, even as God abandons Britain and the fairies and old gods return, led by Morgan le Fay. They must reclaim Excalibur and make this ruined world whole again—but first they'll have to solve the mystery of why the lonely, brilliant King Arthur fell.

They call it Blackchurch. A secluded mansion in a remote, undisclosed location where the wealthy and powerful send their misbehaving sons to cool off away from prying eyes. Will Grayson has always been reckless, wild, and never been bound by a single rule other than to do exactly what he wanted. He learned long ago that being treated like an animal gives you permission to act like one. Back in high school, he might’ve enjoyed backing Emory into corners when no one was looking, but he could also be warm. And fierce in keeping her safe. But the truth is, he has a right to hate her. Because it’s all her fault. Everything. Devil’s Night. The videos. The arrests. She’s to blame—and yet she regrets nothing. He never expected one of his enemies to come straight to him. But now he knows she’s here somewhere. And as the security detail leaves and the door to the gilded cage opens, giving Will free reign of the house and grounds for another unsupervised month, he remembers with a smile…

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?

Sending Damon to prison was the worst thing Winter could’ve done. It didn’t matter that he did the crime or that she wished he was dead. Winter thought he’d cool off in jail and be anything but the horror he was, or that at the very least she’d have time to disappear before he got out. But she was wrong. Three years came and went too fast, and prison only gave him time to plan. And while Winter anticipated his vengeance, she didn’t expect this. He doesn’t want to make her hurt. He wants to make everything hurt. Damon knows he needs to get rid of Winter’s father, giving her, her sister, and her mother nowhere to run. The Ashby women are desperate for a knight in shining armor. But that’s not what’s coming. It’s time Damon took control of his future. It’s time he showed them all that he will never stop being the nightmare they think he is. Damon won’t have to break into her home to do it. As the new man of the house, he has all the keys.

At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night. Cracked open, Jin finds herself telling Lidija about an old familial curse, breaking a lifelong promise. She’s been told that if she doesn’t keep the curse a secret, she risks losing everything; death and ruin could lie ahead. As Jin and Lidija become more entangled, they realize they share more than the ferocity of their ambition, and begin to explore hidden desires. Something is ignited in Jin: her art, her body, and her sense of self irrevocably changed. But can she avoid the specter of the curse? Vital, bold, powerful, and deeply moving, Exhibit asks: how brightly can you burn before you light your life on fire?

“Were we gangsters? No. But did we know how to start a fire?” In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety. But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.