LETRAS

Francine Thwaite has lived all her fifty-five years in her family’s ancestral home, a rambling Elizabethan manor in England’s Lake District. No other living soul resides there, but Francine isn’t alone. There are ghosts in Thwaite Manor, harmless and familiar. Most beloved is Bree, the mischievous ghost girl who has been Francine’s companion since childhood. When Francine’s estranged sister, Madeleine, returns to the manor after years away, she brings with her a story that threatens everything Francine has always believed. It is a tale of cruelty and desperation, of terror and unbearable heartache. And as Francine learns more about the darkness in her family’s past—and the role she may have played in it—she realizes that confronting the truth may mean losing what she holds most dear.

MIL KILÓMETROS DE DISTANCIA, DOS CORAZONES EMPEÑADOS EN ENCONTRARSE Y UNA PASIÓN A LA QUE NO PODRAS RESISTIRTE. Elena y Marcos por fin han reconocido que, aunque no entraba en sus planes, están locos el uno por el otro. Elena y Marcos tienen que enfrentarse a un nuevo obstáculo: la distancia. Mientras ella busca su propio camino en Madrid, el debe regresar a su vida en Londres. Entre conversaciones nocturnas, mensajes subidos de tono y reencuentros fogosos, Elena y Marcos están a punto de descubrir que no hay mayor aventura que la de rendirse al amor, aunque no siempre sea fácil. La distancia mata la pasión... ¿O es al contrario?

Annie Ernaux cuenta en estas páginas la relación que mantuvo con un hombre más joven que ella. Una experiencia que la hizo volver a ser, durante varios meses, la «chica escandalosa» de su juventud. Un viaje en el tiempo que le permitió atravesar una etapa decisiva en su escritura. «A menudo he hecho el amor para obligarme a escribir. Quería encontrar en el cansancio, en el desamparo que le siguen, razones para no aguardar ya nada de la vida. Tenía la esperanza de que el final de la expectativa más imperiosa, la del orgasmo, me hiciera sentir la certeza de que no había goce superior al de la escritura de un libro. Quizá ese deseo de desencadenar la escritura del libro fue el que me condujo a llevar a A. a mi casa a tomar una copa después de cenar en un restaurante donde, por timidez, había permanecido prácticamente mudo. Era casi treinta años más joven que yo.»

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

Ten years after the death of the magnetic Donald “Sully” Sullivan, the town of North Bath is going through a major transition as it is annexed by its much wealthier neighbor, Schuyler Springs. Peter, Sully’s son, is still grappling with his father’s tremendous legacy as well as his relationship to his own son, Thomas, wondering if he has been all that different a father than Sully was to him. Meanwhile, the towns’ newly consolidated police department falls into the hands of Charice Bond, after the resignation of Doug Raymer, the former North Bath police chief and Charice’s ex-lover. When a decomposing body turns up in the abandoned hotel situated between the two towns, Charice and Raymer are drawn together again and forced to address their complicated attraction to one another. Across town, Ruth, Sully’s married ex-lover, and her daughter Janey struggle to understand Janey’s daughter, Tina, and her growing obsession with Peter’s other son, Will. Amidst the turmoil, the town’s residents speculate on the identity of the unidentified body, and wonder who among their number could have disappeared unnoticed. Infused with all the wry humor and shrewd observations that Russo is known for, Somebody's Fool is another classic from a modern master.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.