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En esta brillante secuela de El cuento de la criada, la aclamada autora Margaret Atwood responde a las preguntas que han cautivado a los lectores durante décadas. Novela ganadora del Man Booker Prize 2019 Subo y penetro en la oscuridad del interior; o en la luz.» Cuando las puertas de la furgoneta se cerraron de golpe tras Offred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado.

La primera y aclamada colección de cuentos de Margaret Atwood, un libro de factura exquisita que retrata personajes y ambientes con incomparable agudeza. Publicada en 1985, Chicas bailarinas es la aclamada primera colección de relatos de Margaret Atwood. Sus catorce piezas combinan numerosas técnicas y perspectivas para capturar los movimientos imprevisibles de personajes inmersos en la vida cotidiana contemporánea, pero no por ello menos fascinantes. Quien se acerque a este volumen descubrirá no solo los destinos de amas de casa, estudiantes, periodistas, granjeros, ornitólogos, exesposas y amantes adolescentes, sino también que cada voz tiene su tono, y que el talento de la autora se niega a las soluciones fáciles: nada es manido en Atwood, pero todo es tan probable que casi parece real. Con brillantes destellos de fantasía, humor y momentos de violencia inesperada, los cuentos revelan las complejidades de las relaciones humanas y suscitan el terror y la risa, la compasión y el reconocimiento, al tiempo que recalcan el lugar de preeminencia que ocupa la escritora en la literatura contemporánea.

It’s late August in Shady Hollow, and intrepid reporter Vera Vixen agrees to chaperone the school’s annual field trip to Summers End, an ancient tomb built by an early woodland culture. Naturally, her good friend Lenore Lee comes along to help her. But when the group enters the tomb one morning, they find a corpse that is distinctly more. . . modern than expected. Digging deeper, Vera and Lenore discover that the deceased was involved in the recent excavation at the site, and very unpopular with their colleagues—including Lenore’s sister, Ligeia. Now the fox and raven must delve into the dark world of academia and archaeology to clear Ligeia’s name. Some creature at Summers End thought they were clever enough to get away with the perfect murder. Can Vera and Lenore unearth the truth in time?

This is not how Liv wanted to see Jake Glasswell for the first time in ten years. Once her high school rival and the prom date who humiliated her, now a successful TV personality, he’s more attractive than he has any right to be. And he’s her Lyft passenger. Since the prom night kiss that never was, Liv’s life has not gone to plan. She deferred Julliard to be with her mom during a crisis, and now swears she’s happy as a recently furloughed drama teacher going on no-strings dates. This weekend she’s maid of honor to her best friend, Masha, and, of course, Jake is the best man. But when Liv glares into Jake’s eyes as Masha says, “I do,” the universe turns on its axis and Liv is suddenly living a version of her life where prom night was the beginning of her and Jake, not the end, and it turns out he’s the love of her life. The catch? Her mom and Masha hate her now. What’s in a kiss? Maybe everything.

“You can never go home again,” the saying goes—but Hal, Athena, and Erin have to. In high school, the three were students of the eccentric Professor Marsh, trained in a secret system of magic known as the Dissonance, which is built around harnessing negative emotions: alienation, anger, pain. Then, twenty years ago, something happened that shattered their coven, scattering them across the country, stuck in mundane lives, alone. But now, terrifying signs and portents (not to mention a pointed Facebook invite) have summoned them back to Clegg, Texas. There, their paths will collide with that of Owen, a closeted teenager from Alabama whose aborted cemetery seance with his crush summoned something far worse: a murderous entity whose desperate, driving purpose includes kidnapping Owen to serve as its Renfield. As Owen tries to outwit his new master, and Hal, Athena, and Erin reckon with how the choices they made as teens might connect to the apocalyptic event unfurling over the Lone Star State, shocking alliances form, old and new romances brew, and three unsuccessful adults and one frightened teen are all that stand between reality and oblivion. From one of the boldest, most brilliant voices in modern fantastical horror, The Dissonance is a thrilling and beautifully written story of magic and monsters, forgiveness and friendship.

Ever since The Embarrassing Meltdown Incident, Flo has been on an enforced break from life. And the timing couldn’t be better, as her family sets off to Greece for their summer vacation. Enter Jamie Kramer . . . literally. Broad, sun-kissed, and fitter than ever. Jamie is Flo’s brother’s best friend, and the person she wants to see least in the world. He’s also her family’s “adopted” son after he lost his parents at a young age. Flo and Jamie hate each other. Except, Flo actually has a mortifying crush on Jamie, made infuriatingly stronger after The Christmas Incident. And nobody—least of all her family—can know. So, with two weeks of steamy outings, rocky boat trips, and sunshine on the horizon, Flo is going to have to fix the situation the only way she can think of: by spending time with him. What could possibly go wrong for the pair of Enemies to Lovers?