Nanny needed. Discretion is of the utmost importance. Special conditions apply.
When Sarah Larsen finds the notice, posted on creamy card stock in her building’s lobby, one glance at the exclusive address tells her she’s found her ticket out of a dead-end job—and life.
At the interview, the job seems like a dream come true: a glamorous penthouse apartment on the Upper West Side of NYC; a salary that adds several zeroes to her current income; the beautiful, worldly mother of her charge, who feels more like a friend than a potential boss. She’s overjoyed when she’s offered the position and signs the NDA without a second thought.
But in retrospect, the notice in her lobby was less an engraved invitation than a waving red flag. For there is something very strange about the Bird family. Why does the beautiful Mrs. Bird never leave the apartment alone? And what happened to the nanny before Sarah? It soon becomes clear that the Birds’ odd behaviors are more than the eccentricities of the wealthy.
But by then it’s too late for Sarah to seek help. After all, discretion is of the utmost importance.
Countless books and blogs have extolled the virtues of the Cat Lady—now photographer David Williams celebrates cat-owning men and the precious kitties who have stolen their hearts. His subjects represent a cross-section of American society—musicians and artists, soldiers and CEOs, truck drivers and tattoo artists—with one very furry common denominator. These fun, fuzzy, and offbeat portraits are full of personality, and the accompanying stories share everything from “how we met” to how the cats earned their names.
In the thrilling sequel to Bird Box, the inspiration for the record-breaking Netflix film that starred Sandra Bullock and absolutely riveted Stephen King, New York Times bestselling author Josh Malerman brings unseen horrors to life.
This sequel is as tense and harrowing as the original, with a new depth that raises the stakes. Riley Sager, author of Lock Every Door
Twelve years after Malorie and her children rowed up the river to safety, a blindfold is still the only thing that stands between sanity and madness. One glimpse of the creatures that stalk the world will drive a person to unspeakable violence.
There remains no explanation. No solution.
All Malorie can do is survive and impart her fierce will to do so on her children. Don t get lazy, she tells them. Don t take off your blindfold. AND DON T LOOK.
But then comes what feels like impossible news. And with it, the first time Malorie has allowed herself to hope.
Someone very dear to her, someone she believed dead, may be alive.
Malorie has already lost so much: her sister, a house full of people who meant everything, and any chance at an ordinary life. But getting her life back means returning to a world full of unknowable horrors and risking the lives of her children again.
Because the creatures are not the only thing Malorie fears: There are the people who claim to have caught and experimented on the creatures. Murmerings of monstrous inventions and dangerous new ideas. And rumors that the creatures themselves have changed into something even more frightening.
“An unabashed tale that does not pull punches and looks at love’s underside…This breathless story should only be read in one sitting. It hits hard and never lets up. Terse, brusque, etched on one’s inner thigh with an old serrated knife.” —André Aciman, author of Call Me by Your Name
This erotic tale of jealousy, obsession, and revenge is suffused with the rich flavors and intoxicating scents of Israel's Mediterranean coast.
An unnamed narrator writes a letter to an old college friend, Adam, at whose place he has been crashing since his abrupt return to the States from Israel. Now that the narrator is moving on to a new location, he finally reveals the events that led him to Adam's door, set in motion by a chance encounter with Uzi, an older man with whom the narrator has just had an intense sexual relationship.
From his first meeting with Uzi, the narrator is overwhelmed by an animal attraction that will lead him to derail his life, withdraw from friends and extend his stay in a small town north of Tel Aviv. As he becomes increasingly entangled in Uzi's life—and by extension the lives of Uzi's ex-wife and children—his passion turns sinister, ultimately threatening all around him.
In Felix Francis's latest horseracing thriller in the Dick Francis tradition, a London crisis manager gets caught up in a tragic fire, a murder, and a dark family drama.
Harrison Foster, a crisis manager for a London firm, is summoned to Newmarket after a fire in the Chadwick Stables kills six very valuable horses, including the short-priced favorite for the Derby. There is far more to the "simple" fire than initially meets the eye...for a start, human remains are found among the equestrian ones in the burnt-out shell. All the stable staff are accounted for, so who is the mystery victim?
Harry knows very little about horses, indeed he positively dislikes them, but he is thrust unwillingly into the world of thoroughbred racing, where the standard of care of the equine stars is far higher than that of the humans who attend to them. The Chadwick family is a dysfunctional racing dynasty. Resentment between the generations is rife and sibling rivalry bubbles away like volcanic magma beneath a thin crust of respectability.
Harry represents the Middle Eastern owner of the Derby favourite and, as he delves deeper into the unanswered questions surrounding the horse's demise, he ignites a fuse that blows the volcano sky-high. Can Harry solve the riddle before he is bumped off by the fallout?
In 1996, the town of Laurens, South Carolina, was thrust into the spotlight when a white supremacist named Michael Burden opened a museum celebrating the Ku Klux Klan in the community’s main square. Journalists and protestors flooded the town, and hate groups rallied to the establishment’s defense, dredging up the long history of racism and injustice.
What came next is the subject of the film Burden, which won the 2018 Sundance Film Festival Audience Award. Shortly after his museum opened, Burden abruptly left the Klan in search of a better life. Broke and homeless, he was taken in by Reverend David Kennedy, an African American leader in the Laurens community, who plunged his church, friends, and family into an inspiring quest to save their former enemy.
In this spellbinding Southern epic, journalist Courtney Hargrave further uncovers the complex events behind the story told in Andrew Heckler’s film. Hargrave explores the choices that led to Kennedy and Burden’s friendship, the social factors that drive young men to join hate groups, and the difference one person can make in confronting America’s oldest sin.