LITERATURA EN OTROS IDIOMAS

Teeming with tension, this immersive, rhapsodic story transports readers to the Swiss mountainside, bringing to mind the writing of Thomas Mann while offering character studies as vivid and bracing as Eudora Welty’s. Feed is running low in a rural village in Switzerland. The town council meets to decide whether or not to ascend a chimerical mountain in order to access the open pastures that have enough grass to “feed seventy animals all summer long.” The elders of the town protest, warning of the dangers and the dreadful lore that enfolds the mountain passageways like thick fog. They’ve seen it all before, reckoning with the loss of animals and men who have tried to reach the pastures nearly twenty years ago. The younger men don’t listen, making plans to set off on their journey despite all warnings. Strange things happen. Spirits wrestle with headstrong young men. As the terror of life on the mountain builds, Ramuz’s writing captures the rural dialog and mindsets of the men. One of the most talented translators working today, Bill Johnston captures the careful and sublime twists and turns of the original in his breathtaking translation.

Now and then, language would thrust its way into her sleep like a skewer through meat, startling her awake several times a night." In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon the two discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages, and the fear of losing his independence.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Amidst rumors of their tumultuous affair, Jessie is determined to prove herself. She attacks the challenge of discovering young writers with fervor, finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie’s leadership, The Crisis thrives…every African American writer in the country wants their work published there.

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos. But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?

Francine Thwaite has lived all her fifty-five years in her family’s ancestral home, a rambling Elizabethan manor in England’s Lake District. No other living soul resides there, but Francine isn’t alone. There are ghosts in Thwaite Manor, harmless and familiar. Most beloved is Bree, the mischievous ghost girl who has been Francine’s companion since childhood. When Francine’s estranged sister, Madeleine, returns to the manor after years away, she brings with her a story that threatens everything Francine has always believed. It is a tale of cruelty and desperation, of terror and unbearable heartache. And as Francine learns more about the darkness in her family’s past—and the role she may have played in it—she realizes that confronting the truth may mean losing what she holds most dear.

At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.