LITERATURA EN OTROS IDIOMAS

A traveling salesman during the Depression takes his children with him on an impromptu visit to a former girlfriend. A poor girl steels herself to marry a rich fiancé she can’t quite manage to love. An abandoned woman tries to choose between the opposing pleasures of seduction and solitude. To read these stories is to succumb to the spell of a true narrative sorcerer, a writer who enchants her readers utterly even as she restores them to their truest selves.

From New York Times best-selling author Cal Newport comes a bold vision for liberating workers from the tyranny of the inbox - and unleashing a new era of productivity. Modern knowledge workers communicate constantly. Their days are defined by a relentless barrage of incoming messages and back-and-forth digital conversations - a state of constant, anxious chatter in which nobody can disconnect, and so nobody has the cognitive bandwidth to perform substantive work. There was a time when tools like email felt cutting edge, but a thorough review of current evidence reveals that the "hyperactive hive mind" workflow they helped create has become a productivity disaster, reducing profitability and perhaps even slowing overall economic growth. Equally worrisome, it makes us miserable. Humans are simply not wired for constant digital communication. We have become so used to an inbox-driven workday that it's hard to imagine alternatives. But they do exist. Drawing on years of investigative reporting, author and computer science professor Cal Newport makes the case that our current approach to work is broken, then lays out a series of principles and concrete instructions for fixing it. In A World without Email, he argues for a workplace in which clear processes - not haphazard messaging - define how tasks are identified, assigned and reviewed. Each person works on fewer things (but does them better), and aggressive investment in support reduces the ever-increasing burden of administrative tasks. Above all else, important communication is streamlined, and inboxes and chat channels are no longer central to how work unfolds.

How do you move on after losing the person you loved? How do you build a life worth living? Louisa Clark is no longer just an ordinary girl living an ordinary life. After the transformative six months spent with Will Traynor, she is struggling without him. When an extraordinary accident forces Lou to return home to her family, she can’t help but feel she’s right back where she started. Her body heals, but Lou herself knows that she needs to be kick-started back to life. Which is how she ends up in a church basement with the members of the Moving On support group, who share insights, laughter, frustrations, and terrible cookies. They will also lead her to the strong, capable Sam Fielding—the paramedic, whose business is life and death, and the one man who might be able to understand her. Then a figure from Will’s past appears and hijacks all her plans, propelling her into a very different future....

Concerned for her family’s financial welfare and eager to expand her own horizons, Agnes Grey takes up the position of governess, the only respectable employment for an unmarried woman in the nineteenth century. Unfortunately, Agnes cannot anticipate the hardship, humiliation, and loneliness that await her in the brutish Bloomfield and haughty Murray households. Drawn from Anne Brontë’s own experiences, Agnes Grey depicts the harsh conditions and class snobbery that governesses were often forced to endure. As Barbara A. Suess writes in her Introduction, “Brontë provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting.”

Original, experimental, and unparalleled in their charm, Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There have enchanted readers for generations. The topsy-turvy dream worlds of Wonderland and the Looking-Glass realm are full of the unexpected: A baby turns into a pig, time stands still at a “mad” tea-party, and a chaotic game of chess turns seven-year-old Alice into a queen. These unforgettable tales—filled with sparkling wordplay and unbridled imagination—balance joyous nonsense with poignant moments of longing for the lost innocence of childhood.

All Jessica has ever wanted is her own happily ever after. But until that happens, she spends her days as a small-time romance writer, penning satisfying Happily Ever Afters to soothe the heartache left by her ex-boyfriend Nick—also a romance writer and now her biggest rival—who has found success writing love stories without happy endings. It’s what he’s good at, after all . . . So when their professional obligations bring them to a remote inn a few days before Christmas, they’re a little more than peeved, especially when they get trapped sharing a room in a snowstorm. But what’s more fitting for two romantic writers in a slump? Realizing the friction between them might be the only cure for their writer’s block, they decide to turn their frustration into fiction . . . and the pages start flying. But will Jess’s heart soar, too? Nick is the last guy on earth she should love . . . but what if he is really all she wants for Christmas?