LITERATURA EN OTROS IDIOMAS

A powerful exploration of how we pay attention that will transform the ways we connect with one another – at home, at work, and beyond. Paying attention is a crucial human skill, yet many of us have forgotten how to listen carefully and observe intentionally. Deluged by social media and hobbled by the increasing social isolation it fosters, we need to rediscover the deeply human ways we connect with others.

As provocative today as when it was first published in 1954, Lord of the Flies continues to ignite passionate debate with its startling, brutal portrait of human nature. William Golding’s compelling story about a group of very ordinary boys marooned on a coral island has been labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, and even a vision of the apocalypse. But above all, it has earned its place as one of the indisputable classics of the twentieth century for readers of any age.

When `Lord of the Flies` appeared in 1954 it received unprecedented reviews for a first novel. Critics used such phrases as `beautifully writeen, tragic and provocative... vivid and enthralling... this beautiful and desperate book... completely convincing and often very frightening... its progress is magnificient... like a fragment of nightmare... a dizzy climax of terror... the terrible spell of this book...` E.M. Forster chose it as the Outstanding Novel of the Year. `Time and Tide` touched upon perhaps the most important facet of this book when it said, `It is not only a first-rate adventure but a parable of our times, ` and articles on this and subsequent Golding novels have stressed these twin aspects of Golding: a consummate control of the novel form, and a superb all-encompassing vision of reality which communicates itself with a power reminiscent of Conrad.

Teddy Andersen doesn’t have a plan. She’s never needed one before. She’s always been more of a go-with-the-flow type of girl, but for some reason, the flow doesn’t seem to be going her way this time. Her favorite vintage suede jacket has a hole in it, her sewing machine is broken, and her best friend just got engaged. Suddenly, everything feels like it’s starting to change. Teddy is used to being a leader, but now she feels like she’s getting left behind, wondering if life in the small town she loves is enough for her anymore. Gus Ryder has a lot on his plate. He doesn’t know what’s harder: taking care of his family’s 8,000 acre ranch, or parenting his spunky six-year-old daughter, who is staying with him for the summer. Gus has always been the dependable one, but when his workload starts to overwhelm him, he has to admit that he can’t manage everything on his own. He needs help. His little sister’s best friend, the woman he can’t stand, is not who he had in mind. But when no one else can step in, Teddy’s the only option he’s got. Teddy decides to use the summer to try and figure out what she wants out of life. Gus, on the other hand, starts to worry that he’ll never find what he needs. Tempers flare, tension builds, and for the first time ever, Gus and Teddy start to see each other in a different light. As new feelings start to simmer below the surface, they must decide whether they should act on them. Can they keep things cool? Or will both of them get burned?

An ingeniously orchestrated popular history brings to life the most pivotal decade of the twentieth century. As the Roaring Twenties wind down, Jean-Paul Sartre waits in a Paris café for a first date with Simone de Beauvoir, who never shows. Marlene Dietrich slips away from a loveless marriage to cruise the dive bars of Berlin. The fledgling writer Vladimir Nabokov places a freshly netted butterfly at the end of his wife’s bed. Hannah Arendt, Walter Benjamin, Zelda and Scott, Dalí and Gala, Picasso and his many muses, Henry and June and Anaïs Nin, the entire extended family of Thomas Mann, and a host of other fascinating and famous figures make art and love, write and row, bed and wed and betray. They do not yet know that they, along with millions of others, will soon be forced to contemplate flight—or fight—as the world careens from one global conflict to the next.

Once upon a time, the Peacock sisters were little girls who combed each other’s tangled hair. But decades of secrets have led them to separate lives—and to telling lies, to themselves and to one another. Sylvie is getting married. Again. A librarian and widow who soothes her grief by escaping into books (and shelving them perfectly), Sylvie has caught the attention of an unlikely match: Simon Rampling, a mysterious, wealthy man from Northern England. Sylvie allows herself to imagine a life beside him—one filled with the written word, kindness, and companionship. She’s ready to love again . . . or is she? Cleo is the golden child. A successful criminal defense lawyer with the perfect boyfriend, she is immediately suspicious of Simon. Is he really who he says he is? Cleo heads to Mumberton Castle with a case of investigative files, telling herself she will expose Simon and save her sister from more heartbreak . . . but who is she really trying to save? Emma is living a lie. She can’t afford this fancy trip—and she definitely can’t tell her husband and sons why. She once dreamed of a line of her own perfumes. Fragrances allowed her to speak in silence. Now, that tendency for silence only worsens her situation. Will she emerge with her dignity and family intact? When their toxic mother shows up, the sisters assume the roles they fell into to survive their childhood . . . but they just might find the courage to make new choices. Set over a spectacularly dramatic weekend, in the grand halls of a sprawling castle estate—amid floor-to-ceiling libraries, falconry lessons, and medieval meals—Lovers and Liars is the unforgettable story of a family’s ability to forgive and to find joy in one another once again.