LITERATURA EN OTROS IDIOMAS

Grief is the price we pay for love... My name is Lorenzo Moretti. Born to be head of the Cosa Nostra, except that I chose love over my birthright. On our wedding day, my father cursed our union, swearing on his own blood that my wife and I would never live out our days in happiness. I guess he was right, because fate stole her from me and I’m left to live an empty life without her, with a shattered heart and only half a soul. On the day my wife died, I swore I’d never love anyone like that again, and it’s a promise I kept for two years. A promise I kept until her… She sauntered into my life wearing a dress the color of sunshine and with nothing else but an old Mustang and a smile. Beaten and bruised and seeking refuge behind my family’s walls. But I’m no white knight looking for redemption, and she’s sure no damsel in distress. She’s annoying as hell. With no filter and an eternally sunny disposition. She says whatever’s on her mind, no matter how poorly judged it might be. She’s everything I don’t want.

I was supposed to have it all. I’d been Prom Queen, Cheer Captain – high school’s most savage Queen Bee. I could have everything I wanted. Except them. The freaks, the weirdos, the school’s ultimate losers: Manson, Jason, Lucas, and Vincent. Our hatred for each other couldn’t keep us apart, not even when my own mistake got Manson expelled and made me the ultimate villain to the rest of them. One night was supposed to be enough. I couldn’t resist forever. For one night I gave myself over to the men I wasn’t supposed to want and satisfied the darkest parts of my soul. But some things are meant to stay in the dark. One night, and it was over. Nothing more than a game. Now, with college behind me, our worlds collide yet again. Four men, all willing to share me as their plaything until my debt to them is paid. Another game to satiate my dark cravings, the twisted rules of which bring us all even closer than before. But games aren’t meant to last. When the debt is paid and the game is done, what if I don’t want to walk away?

Once upon a time, the Peacock sisters were little girls who combed each other’s tangled hair. But decades of secrets have led them to separate lives—and to telling lies, to themselves and to one another. Sylvie is getting married. Again. A librarian and widow who soothes her grief by escaping into books (and shelving them perfectly), Sylvie has caught the attention of an unlikely match: Simon Rampling, a mysterious, wealthy man from Northern England. Sylvie allows herself to imagine a life beside him—one filled with the written word, kindness, and companionship. She’s ready to love again . . . or is she? Cleo is the golden child. A successful criminal defense lawyer with the perfect boyfriend, she is immediately suspicious of Simon. Is he really who he says he is? Cleo heads to Mumberton Castle with a case of investigative files, telling herself she will expose Simon and save her sister from more heartbreak . . . but who is she really trying to save? Emma is living a lie. She can’t afford this fancy trip—and she definitely can’t tell her husband and sons why. She once dreamed of a line of her own perfumes. Fragrances allowed her to speak in silence. Now, that tendency for silence only worsens her situation. Will she emerge with her dignity and family intact? When their toxic mother shows up, the sisters assume the roles they fell into to survive their childhood . . . but they just might find the courage to make new choices. Set over a spectacularly dramatic weekend, in the grand halls of a sprawling castle estate—amid floor-to-ceiling libraries, falconry lessons, and medieval meals—Lovers and Liars is the unforgettable story of a family’s ability to forgive and to find joy in one another once again.

Mansfield Park encompasses not only Jane Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. At the novel’s center is Fanny Price, the classic “poor cousin,” brought as a child to Mansfield Park by the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear to us why she was Austen’s own favorite among her heroines.

Shy and penniless Fanny Price is brought up on her uncle Sir Thomas Bertram’s estate, Mansfield Park, as an act of charity. Sir Thomas also owns land— and benefits from the labor of enslaved people— in the Caribbean colony of Antigua. Fanny is miserable until her kind cousin Edmund Bertram takes her under his wing. Having secretly fallen in love with him, Fanny suffers severely when his head is turned by the captivating Mary Crawford. Fanny’s quiet fortitude makes Mansfield Park one of Austen’s most psychologically astute novels.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It’s an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated—and certainly more compelling—than the stories immortalized by Hollywood.