LITERATURA EN OTROS IDIOMAS

he millions of readers of Amor Towles are in for a treat as he shares some of his shorter six stories set in New York City and a novella in Los Angeles. The New York stories, most of which are set around the turn of the millennium, take up everything from the death-defying acrobatics of the male ego, to the fateful consequences of brief encounters, and the delicate mechanics of compromise which operate at the heart of modern marriages. In Towles’s novel, Rules of Civility, the indomitable Evelyn Ross leaves New York City in September, 1938, with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in the midst of Hollywood’s golden age. Throughout the stories, two characters often find themselves sitting across a table for two where the direction of their futures may hinge upon what they say to each other next. Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting historical fiction.

With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”

While her mentor may be the world’s most badass archaeologist, the only thing bad about Dr. Miriam Jacobs are her corny jokes. But when Miri is charged with leading an unmapped expedition through the Amazon for the fabled Lost City of the Moon, she finally has her chance to prove to her colleagues that she’s capable—and hopefully prove it to herself, too. Journalist Rafael Monfils has joined the archaeological team to chronicle their search for the lost city. Or at least, that’s what they think he’s doing. Rafa’s real goal? Make sure the team does not reach the Cidade da Lua, stopping the desecration of the holy city and protecting his mother’s legacy. All he needs to do is keep them on the wrong path.

In recent years, neither the persistent effort to “clean up” the racial epithets in Mark Twain’s Adventures of Huckleberry Finn nor its consistent use in the classroom have diminished, highlighting the novel’s wide-ranging influence and its continued importance in American society. An incomparable adventure story, it is a vignette of a turbulent, yet hopeful epoch in American history, defining the experience of a nation in voices often satirical, but always authentic.

The Spinning Jenny was invented in 1770, and with that, a new era of manufacturing and industry changed lives everywhere within a generation. A world filled with unrest wrestles for control over this new world order: A mother’s husband is killed in a work accident due to negligence; a young woman fights to fund her school for impoverished children; a well-intentioned young man unexpectedly inherits a failing business; one man ruthlessly protects his wealth no matter the cost, all the while war cries are heard from France, as Napoleon sets forth a violent master plan to become emperor of the world. As institutions are challenged and toppled in unprecedented fashion, ripples of change ricochet through our characters’ lives as they are left to reckon with the future and a world they must rebuild from the ashes of war.

Deborah Harkness first introduced the world to Diana Bishop, an Oxford scholar and witch, and vampire geneticist Matthew de Clermont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line. Now, Diana and Matthew receive a formal demand from the Congregation: They must test the magic of their seven-year-old twins, Pip and Rebecca. Concerned with their safety and desperate to avoid the same fate that led her parents to spellbind her, Diana decides to forge a different path for her family’s future and answers a message from a great-aunt she never knew existed, Gwyneth Proctor, whose invitation simply reads: It’s time you came home, Diana.