LITERATURA EN OTROS IDIOMAS

NO. 1 INTERNATIONAL BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES A SONG OF ICE AND FIRE: BOOK FIVE In the aftermath of a colossal battle, Daenerys Targaryen rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way east—with new allies who may not be the ragtag band they seem. And in the frozen north, Jon Snow confronts creatures from beyond the Wall of ice and stone, and powerful foes from within the Night’s Watch. In a time of rising restlessness, the tides of destiny and politics lead a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, to the greatest dance of all.

Of all Dickens's novels, David Copperfield most fervently embraces the comic delights, the tender warmth, the tragic horrors of childhood. It is our classic tale of growing up, an enchanting story of a gently orphan discovering life and love in an indifferent adult world. Persecuted by his wrathful stepfather, Mr. Murdstone; deceived by his boyhood idol, the callous, charming Steerforth; driven into mortal combat with the sniveling clerk Uriah Heep; and hurled, pell-mell, into a blizzard of infatuation with the adorably dim-witted Dora, he survives the worst—and the best—with inimitable style, his bafflement tuming to self-awareness and his unbridles young heart growing ever more disciplined and true. Of this richly autobiographical novel Dickens himself wrote, "like many fond parents, I have in my heart of hearts a favorite child. And his name is David Copperfield."

Ever since it was first performed in 1949, Dealh of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose ñame has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.