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Imagen de DETERMINED (EXP)
1,300

DETERMINED (EXP)

Robert Sapolsky’s Behave, his now classic account of why humans do good and why they do bad, pointed toward an unsettling conclusion: We may not grasp the precise marriage of nature and nurture that creates the physics and chemistry at the base of human behavior, but that doesn’t mean it doesn’t exist. Now, in Determined, Sapolsky takes his argument all the way, mounting a brilliant (and in his inimitable way, delightful) full-frontal assault on the pleasant fantasy that there is some separate self telling our biology what to do. Determined offers a marvelous synthesis of what we know about how consciousness works—the tight weave between reason and emotion and between stimulus and response in the moment and over a life. One by one, Sapolsky tackles all the major arguments for free will and takes them out, cutting a path through the thickets of chaos and complexity science and quantum physics, as well as touching ground on some of the wilder shores of philosophy. He shows us that the history of medicine is in no small part the history of learning that fewer and fewer things are somebody’s “fault”; for example, for centuries we thought seizures were a sign of demonic possession.
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Imagen de DO TELL (MREXP)
995

DO TELL (MREXP)

As character actress Edie O'Dare finishes the final year of her contract with FWM Studios, the clock is ticking for her to find a new gig after an undistinguished stint in the pictures. She's long supplemented her income moonlighting for Hollywood's reigning gossip columnist, providing her with the salacious details of every party and premiere. When an up-and-coming starlet hands her a letter alleging an assault from an A-list actor at a party with Edie and the rest of the industry’s biggest names in attendance, Edie helps get the story into print and sets off a chain of events that will alter the trajectories of everyone involved.
995
Imagen de DRACULA
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DRACULA

Since its publication in 1897 Dracula has enthralled generations of readers with the alluring malevolence of its undead Count, the most famous vampire in literature. Though Bram Stoker did not invent vampires, his novel helped catapult them to iconic stature, spawning a genre of stories and movies that flourishes to this day. A century of imitations has done nothing to diminish the fascination of Stoker’s tale of a suave and chilling monster as he stalks his prey from a crumbling castle in Transylvania’s Carpathian mountains to an insane asylum in England to the bedrooms of his swooning female victims. A classic of Gothic horror, Dracula remains an irresistible entertainment of undying appeal.
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Imagen de DREAMLAND (MM)
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DREAMLAND (MM)

After fleeing an abusive husband with her six-year-old son, Tommie, Beverly is attempting to create a new life for them in a small town off the beaten track. Despite their newfound freedom, Beverly is constantly on guard: she creates a fake backstory, wears a disguise around town, and buries herself in DIY projects to stave off anxiety. But her stress only rises when Tommie insists he’d been hearing someone walking on the roof and calling his name late at night. With money running out and danger seemingly around every corner, she makes a desperate decision that will rewrite everything she knows to be true. Meanwhile, Colby Mills is on a heart-pounding journey of another kind. A failed musician, he now heads a small family farm in North Carolina. Seeking a rare break from his duties at home, he spontaneously takes a gig playing in a bar in St. Pete Beach, Florida, where he meets Morgan Lee and his whole life is turned upside down.
600
Imagen de DUNE (ING) (TD)
1,750
Imagen de EMMA (ING)
700

EMMA (ING)

A Vintage Classics edition of Jane Austen’s revolutionary and inspiring novel Twenty-one-year-old Emma Woodhouse is comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives—for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton—and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured. Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters—some pretentious or ridiculous, some admirable and moving, all utterly true.
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