LITERATURA EN OTROS IDIOMAS

Jack London’s two most beloved tales of survival in Alaska were inspired by his experiences in the Yukon during the Klondike Gold Rush. Both novels grippingly dramatize the harshness of the natural world and what lies beneath the thin veneer of human civilization. The canine hero of The Call of the Wild is Buck, a pampered pet in California who is stolen and forced to be a sled dog in the Alaskan wilderness. There he suffers from the brutal extremes of nature and equally brutal treatment by a series of masters, until he learns to heed his long-buried instincts and turn his back on civilization. White Fang charts the reverse journey, as a fierce wolf-dog hybrid born in the wild is eventually tamed. White Fang is adopted as a cub by a band of Indians, but when their dogs reject him he grows up violent, defensive, and dangerous. Traded to a man who stages fights, he is forced to face dogs, wolves, and lynxes in gruesome battles to the death, until he is rescued by a gold miner who sets out to earn his trust.

Renowned novelist, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents it in a prose vernacular that makes it accessible to readers while preserving the spirit of the original. A mirror for medieval society, The Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering their bawdy humor-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse.

Fishtail, Montana, is home to Anne and Pitt Pollock, local royalty, high school sweethearts, and owners of the successful Pollock ranch. The sprawling foothills of the Beartooth Mountains surround the town, overlooking the Pollocks’ property and the nearby ranch belonging to Bill and Pattie Brown. The two couples have known each other since childhood. Their sons Peter Pollock and Matt Brown are also the best of friends. When they and two other local kids meet Juliet Marshall, new to town after her parents’ bitter divorce, the five of them are soon inseparable, spending their summer days swimming, horseback riding, hiking, and fishing. But one August afternoon, their latest adventure takes a dangerous turn—and quickly escalates into a battle for survival—when they find themselves trapped on Granite Peak. Fear reverberates through the town as their parents grow ever more desperate to hear word that their children have been found. They must place their own trials aside amid a massive search-and-rescue operation. As they come to lean on one another for support, a media frenzy ensues, heightening tensions and testing some already fragile relationships. In the aftermath of this one fateful event, devastating secrets are revealed, new love appears on the horizon, and families are forced to reconsider what they once held dear. In The Challenge, Danielle Steel deftly weaves a story that is a portrait of courage and a striking tale of the bonds of love and family.

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century’s worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother. Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted—perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers—of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism—is even older than Maine itself.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly.

On the eve of his wedding, a young sailor named Edmond Dantès is wrongly accused of treason and imprisoned for life in the Château d’If, a reputedly impregnable island fortress. After a daring escape, Dantès unearths a treasure revealed to him by another prisoner and devotes the rest of his life to tracking down and punishing the enemies who wronged him, in disguise as the mysterious Count of Monte Cristo. Set against the dramatic upheavals of the years after Napoleon, Alexandre Dumas’s epic tale of betrayal and revenge is one of the most thrilling and enduringly popular adventure novels ever written.