NOVEDADES

The popular American fashion designer takes us on an exhilarating journey with today’s biggest stars wearing his statement-making designs on the world’s most exciting red carpets. This highly anticipated sequel to Dresses to Dream About (2017), delves into Siriano’s continued evolution as a visionary, from his groundbreaking fashion that celebrate diversity, inclusion, and body positivity to the meticulous craftsmanship behind each creation. This inspiring tome explores the intersection of fashion, art, and celebrity culture, offering a front-row seat to the dazzling spectacle of Siriano’s bold designs worn by glamorous actors, top models, pop culture legends, LGBTQIA+ icons, and first ladies.

The world’s most important contemporary designers showcase their work within the historic setting of Chatsworth House to shine light and spark conversation on the intriguing juxtaposition of the old and the new, the past and the future, and the evolution of design histories and practices. Chatsworth is an extraordinary environment to experience design: a repository for great works of fine and decorative art commissioned by generations of the Cavendish family for over four centuries. Expanding on the eponymous 2023 exhibition at Chatsworth, Mirror Mirror features the works of sixteen contemporary artists through captivating in-situ photography with accompanying artist biographies and essays that unearth how historic artifacts and environments inform and inspire modern artists' practices today. This diverse group of artists includes Michael Anastassiades, Ini Archibong, Wendell Castle, Andile Dyalvane, Ndidi Ekubia, Najla El Zein, Formafantasma, Joris Laarman, Max Lamb, Fernando Laposse, Jae Sae Jung Oh, Samuel Ross, Chris Schanck, Ettore Sottsass, Faye Toogood, and Joseph Walsh. From lithe, LED lighting structures illuminating the halls of the Chatsworth library to a seating sculpture hand-carved in Iranian travertine in the grand estate’s formal Rose Garden, these modern works create unexpected and timeless connections with the house’s architecture, interiors, furniture, and ceramics.

A major monograph of the American realist artist, descendant of one of America’s most revered artistic families, and painter of dark and uneasy subjects. This book traces a persistent vein of intriguing, often disconcerting, imagery over the career of renowned artist Jamie Wyeth (b. 1946), famous for his hyperrealist paintings of farm animals and Maine lighthouses. The focus in this volume is on the chilling thread that runs through his work, present but not overwhelming, and ever-evolving with his style and subjects. Whether he is introducing curious characters or surveying strange landscapes, Wyeth is at home with uneasy subjects and a master of the unsettled mood

In Association with Grand Canyon Conservancy and National Audubon Society. Through photography and essays, this book is a celebration of one of America’s most valuable and iconic rivers and a warning demonstrating the river is a bellwether of overuse and climate change. America’s Western water crisis is now newsworthy on a global level, and the Colorado River is in the crosshairs. The Colorado River is the most comprehensive look at this challenged resource that supplies drinking water to forty million Americans and supports five percent of the country’s GDP. While acclaimed photographer Pete McBride has covered water worldwide and been dubbed a “freshwater hero” by National Geographic, he now brings us home to his deepest passion: saving his backyard river, the Colorado. For two decades, McBride has documented the Colorado River, from source to sea and always with a camera in hand.

Se ofrece en este volumen la poesía completa de rosalía de castro. sus cinco libros: la flor (1857), a mi madre (1863), cantares gallegos (1863), follas novas (1880) y en las orillas del sar (1884), más un apéndice con poemas sueltos, así como algunas canciones y poemas populares recogidos por la escritora, se reúnen aquí en un único volumen, en edición bilingüe a cargo de juan barja (traducción y notas) y con una introducción de arturo leyte. como señala el traductor, para la edición castellana «se ha optado por una versión rítmica y rimada, siguiendo los modelos originales tal como seguramente hubiera preferido rosalía, mas tratando de guardar al máximo la semejanza, aun a riesgo de afear el resultado, sustituyendo, supliendo, variando en contadísimas ocasiones lo que dice? el poeta, para respetar mejor lo que el poeta canta. además, siendo esta edición bilingüe como quizá siempre deberían ser, al menos, las de todas las traducciones de libros de poesía, la insuficiencia de mis logros queda más que favorablemente saldada y corregida. la versión castellana es así el trampolín donde se podrán apoyar los que no alcancen a desenvolverse directa o enteramente en gallego. y con esto basta».

Los años 1857-1858 fueron particularmente vibrantes y fecundos en la evolución intelectual de Marx. Fue en la década de 1850 –que arrancó, tras las revoluciones frustradas de 1848, con el exilio y la radicación definitiva de Marx en Londres y en la British Library– cuando profundizó en el estudio de la economía política y cimentó su trayectoria posterior, comenzando por la que a la postre sería su obra más influyente publicada en vida, el libro I de El Capital (1867).