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Imagen de GOYA  (BASIC ART SERIES 2.0)
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GOYA (BASIC ART SERIES 2.0)

From court portraits for the Spanish royals to horrific scenes of conflict and suffering, Francisco José de Goya y Lucientes (1746–1828) made a mark as one of Spain’s most revered and controversial artists. A master of form and light, his influence reverberates down the centuries, inspiring and fascinating artists from the Romantic Eugène Delacroix to Britart enfants terribles, the Chapman brothers.Born in Fuendetodos, Spain, in 1746, Goya was apprenticed to the Spanish royal family in 1774, where he produced etchings and tapestry cartoons for grand palaces and royal residences across the country. He was also patronized by the aristocracy, painting commissioned portraits of the rich and powerful with his increasingly fluid and expressive style. Later, after a bout of illness, the artist moved towards darker etchings and drawings, introducing a nightmarish realm of witches, ghosts, and fantastical creatures.It was, however, with his horrific depictions of conflict that Goya achieved enduring impact. Executed between 1810 and 1820, The Disasters of War was inspired by atrocities committed during the Spanish struggle for independence from the French and penetrated the very heart of human cruelty and sadism. The bleak tones, agitated brushstrokes, and aggressive use of Baroque-like light and dark contrasts recalled Velázquez and Rembrandt, but Goya’s subject matter was unprecedented in its brutality and honesty.In this introductory book from TASCHEN Basic Art 2.0 we set out to explore the full arc of Goya’s remarkable career, from elegant court painter to deathly seer of suffering and grotesquerie. Along the way, we encounter such famed portraits as Don Manuel Osorio Manrique de Zúñiga, the dazzling Naked Maja, and The 3rd of May 1808 in Madrid, one of the most heart-stopping images of war in the history of art.
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Imagen de TE QUIERO.NO ME JODAS. COMO ESCRIBIR DI.
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TE QUIERO.NO ME JODAS. COMO ESCRIBIR DI.

La mayoría de los manuales de guion son, en palabras del autor de este libro, «como los gritos constantes que el entrenador le pega aljugador infantil, y que más que situarlo mejor ante el desafío quetiene delante, lo llenan de inseguridad. No digo que sean maloslibros. Ni mucho menos. Algunos son textos formidables (?). Entonces,¿cuál es el problema? Que no hablan del proceso». Esos manualesacostumbran a dar mucha información y consejos para alcanzar un buenresultado, pero se olvidan de mostrar cómo se ha llegado hasta ahí:los errores que se convierten en aciertos y los aciertos que acabansiendo errores; los diálogos que cierran posibilidades, los que abrendemasiado el campo, los que definen bien a un personaje, pero plantean dudas sobre si podrían ser mejores?-Te quiero -No me jodas explica cómo se crean diálogos, pero no puedecrear guionistas.
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Imagen de AVENGERS VOL. 1: THE IMPOSSIBLE CITY
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AVENGERS VOL. 1: THE IMPOSSIBLE CITY

The Star. The Icon. The Witch. The Construct. The God. The Engineer. The King. In a time of Tribulations, they will answer the call as Earth's Mightiest Heroes! But when the towering Terminus attacks, a new and insidious danger rears its head. One that the Avengers know all too well, and one who comes to them in the most dangerous of guises: that of a friend! Soon, the Ashen Combine, a collection of the Multiverse's greatest monsters, descends from the Impossible City - and they destroy metropolitan areas for sport! The Avengers face the battle of their lives - and one will fall. But will the Impossible City fall with them? And what kind of doom might be unleashed upon the Earth as a consequence? Plus: Kang the Conqueror searches for the missing moment!
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